{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BB29125847.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BB29125847#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BB29125847.json"},"dc:title":[{"@value":"Bootleg : the secret history of the other recording industry"}],"dc:creator":"by Clinton Heylin","dc:publisher":[{"@value":"St. Martin's Griffin"}],"dcterms:extent":"441 p.","cinii:size":"23 cm","dc:language":"eng","dc:date":"1996","cinii:ncid":"BB29125847","cinii:ownerCount":"1","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA06886049#entity","@type":"foaf:Person","foaf:name":[{"@value":"Heylin, Clinton"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA003545","@type":"foaf:Organization","foaf:name":"熊本大学 附属図書館","rdfs:seeAlso":{"@id":"https://opserv.lib.kumamoto-u.ac.jp/opc/xc/search?keys=BB29125847"}}],"bibo:lccn":["96006070"],"rdfs:seeAlso":[{"@id":"https://lccn.loc.gov/96006070"}],"prism:publicationDate":["1996"],"cinii:note":["Originally published: New York : St. Martin's Press, 1995","Includes bibliographical references (p. [420]-423) and index"],"dc:subject":["LCC:ML3790","DC20:338.4/778149/0973"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Sound+recording+industry","dc:title":"Sound recording industry"},{"@id":"https://ci.nii.ac.jp/books/search?q=Sound+recordings+--+Pirated+editions","dc:title":"Sound recordings -- Pirated editions"},{"@id":"https://ci.nii.ac.jp/books/search?q=Popular+music+--+History+and+criticism","dc:title":"Popular music -- History and criticism"}],"dcterms:hasPart":[{"@id":"urn:isbn:0312142897"}]}]}