Imagining sisterhood in modern Chinese texts, 1890-1937
著者
書誌事項
Imagining sisterhood in modern Chinese texts, 1890-1937
Lexington Books, c2017
- : cloth
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
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注記
Includes bibliographical references (p. 187-204) and index
内容説明・目次
内容説明
This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent "sisters." Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around "sisterhood."
目次
Introduction: Gender, Nation, Subjectivities, and the Discourse on Sisterhood in Modern China
Chapter 1 The Emergence of the "Women's Sphere" and the Promotion of Sisterhood in the Late Qing
Chapter 2 From Dual Slaves to Liberty Flowers: The Feminist-Nationalist Spectrum of Sisterhood in Stones of the Jingwei Bird and Chivalric Beauties
Chapter 3 Is Blood Always Thicker than Water? Rival Sisters and the Tensions of Modernity
Chapter 4 Cosmopolitan Bourgeois Sisterhood and the Ambiguities of Female-Centeredness in Lin Loon Magazine (1931-1937)
Chapter 5 Sisterly Lovers in Women's Fiction and the Potential of "Nondevelopment" as a Feminist Intervention
Conclusion
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