Monet's Waterloo Bridge : vision and process

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書誌事項

Monet's Waterloo Bridge : vision and process

edited by Nancy Norwood

RIT Press : Memorial Art Gallery of the University of Rochester, c2018

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注記

Catalog of the exhibition held at Memorial Art Gallery, Oct. 7, 2018-Jan. 6, 2019; Worcester Art Museum, Jan. 26-Apr. 28, 2019; Carnegie Museum of Art, May 25-Sept. 2, 2019

Includes bibliographical references

内容説明・目次

内容説明

The catalogue of an exhibition comparing versions of Monet's Waterloo Bridge at the Memorial Art Gallery in Rochester, NY. Impressionist master Claude Monet began over forty versions of Waterloo Bridge during his three London sojourns between 1899 and 1901. He viewed his paintings of the landmark bridge both individually and as an ensemble, collectively expressing his sense of the essential subject - the atmosphere and colors of the fog-bound landscape of London's Thames River. Monet struggled to complete these paintings after his return to France, where he re-worked many of the canvases in his Giverny studio, releasing them for sale over the course of several years. The exhibition Monet's Waterloo Bridge: Vision and Process brings together eight paintings from the famous London series. Scholarly essays and an in-depth technical study of the Memorial Art Gallery's Waterloo Bridge, Veiled Sun (1903) explore Monet's artistic vision as well as the process by which he struggled to achieve that vision. NANCY NORWOODis Curator of European Art, Memorial Art Gallery, Rochester, New York.

目次

Foreword Introduction Monet's Waterloo Bridge: Vision and Process Between the Balcony and the Studio: Monet's Struggle to Finish the Thames Series Looking at Waterloo Bridge Technical Analysis of the Painting, Waterloo Bridge, Veiled Sun 1903 Paintings in the Exhibition Acknowledgements

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