Politics and the arts in Lisbon and Rome : the Roman dream of John V of Portugal
著者
書誌事項
Politics and the arts in Lisbon and Rome : the Roman dream of John V of Portugal
(Oxford University studies in the Enlightenment, 2019:10)
Liverpool University Press on behalf of Voltaire Foundation, University of Oxford, c2019
- : pbk
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注記
Bibliography: p. 257-280
Includes index
内容説明・目次
内容説明
Dealing with a complex king, this edited collection elucidates a monarch's vision of Rome that deeply affected his political choices and cultural policy during the first half of the eighteenth-century. John V of Portugal became king in 1707 in a pivotal moment for the European balance of power. The Kingdom of Portugal was still demanding the same privileges as its powerful neighbours and the relation with Rome was considered a vehicle to obtain them. Arts and music had a special and unprecedented place in the king's plans and this book approaches that dynamic from several interdisciplinary perspectives.
The unifying thread across this book's chapters remains the omnipresence of Rome as a paradigm on several levels: political, religious, intellectual, artistic, and musical. Rather than providing an exhaustive analysis of the period as a whole, this study offers a fresh approach for English readers to this classic, but little known, topic in Portuguese national historiography.
目次
List of illustrations
List of abbreviations
Pilar Diez del Corral Corredoira, Introduction: il viaggio mancato - John V and the origins of his vision of Rome
I. Rome: paradigm and propaganda
David Martin Marcos, Beyond policy: shaping the image of John V of Portugal in Rome
Marilia de Azambuja Ribeiro, Politics, spectacle and propaganda: the political use of patronage and the press
by John V's representatives in Rome during the first half of the eighteenth century
Danielle Kuntz, 'S'unisca il Tago al Tebro, il Tebro al Tago': the politics of Portuguese patronage in Alessandro Scarlatti's La
Virtu negli amori
Pilar Diez del Corral Corredoira,The Accademia del Portogallo: emulation and strategy in the papal city
II. Lisbon: creative reappropriation
Cristina Fernandes, Music, ceremonial and architectural spaces in the patriarchal church of King John V: the remaking of Roman models
Fernando Miguel M. Jaloto, Antonio Tedeschi, 'Sanctae Patriarchalis Ecclesiae Regius Cantor': an Italian musician at the court of John V
Giuseppina Raggi, Rethinking the artistic policy of King John V of Portugal and Queen Maria Anna of Habsburg: architecture and opera theatre
Iris Haist, The marbles and the modelli of Mafra: John V and the taste for Italian baroque sculpture
Summaries
Bibliography
Index
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