Canadian science fiction, fantasy, and horror : bridging the solitudes

書誌事項

Canadian science fiction, fantasy, and horror : bridging the solitudes

Amy J. Ransom, Dominick Grace, editors

(Studies in global science fiction)

Palgrave Macmillan, c2019

  • : hardback

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Canadian Science Fiction, Fantasy, and Horror: Bridging the Solitudes exposes the limitations of the solitudes concept so often applied uncritically to the Canadian experience. This volume examines Canadian and Quebecois literature of the fantastic across its genres-such as science fiction, fantasy, horror, indigenous futurism, and others-and considers how its interrogation of colonialism, nationalism, race, and gender works to bridge multiple solitudes. Utilizing a transnational lens, this volume reveals how the fantastic is ready-made for exploring, in non-literal terms, the complex and problematic nature of intercultural engagement.

目次

1. Introduction: Bridging the Solitudes as a Critical Metaphor Amy J. Ransom, Central Michigan University Dominick Grace, Brescia University Prologue 2. Colonial Visions: The British Empire in Early Anglophone and Francophone Canadian Science Fiction and Fantasy Allan Weiss, York University Part I Bridging Borders: Transnationalism and Postcolonialism in Canadian Speculative Fiction 3. Nevermind the Gap: Judith Merril Challenges the Status Quo Ritch Calvin, SUNY - Stony Brook 4. Two Solitudes, Two Cultures: Building and Burning Bridges in Peter Watts's Novels Michele Braun, Mount Royal University 5. The Affinity for Utopia: Erecting Walls and Building Bridges in Robert Charles Wilson's The Affinities Graham J. Murphy, Seneca College 6. The Art of Not Dying: Emily St. John Mandel's Station Eleven and Catherine Mavrikakis's Oscar De Profundis Patrick Bergeron, University of New Brunswick (Translated by Amy J. Ransom) Part II Building Bridges: Constructing and Deconstructing Myths of the Canadian Nation 7. When Are We Ever at Home?: Exile and Nostalgia in the Work of Guy Gavriel Kay Susan Johnston, University of Regina 8. Reconciliation, Resistance and Biskaabiiyang: Re-Imagining Canadian Residential Schools in Indigenous Speculative Fictions Judith Leggatt, Lakehead University 9. Indigenous Futurist Film: Speculation and Resistance in Jeff Barnaby's Rhymes for Young Ghouls and File Under Miscellaneous Kristina Baudemann, Europa-Universitat, Flensberg Part III Bridging the Gender Gap: Transnational and Transsexual Identities in Canadian SF 10. Building Hope through Community in Elisabeth Vonarburg's Maerlande Chronicles Caroline Mosser, Utah State University 11. Cruising Canadian SF's Queer Futurity: Hiromi Goto's The Kappa Child and Larissa Lai's Salt Fish Girl Wendy Gay Pearson, University of Western Ontario 12. Crossing the (Trans)Gender Bridge: Exploring Intersex and Trans Bodies in Canadian Speculative Fiction Evelyn Deshane, University of Waterloo Part IV Bridging the Species Divide: Technological, Animal, Extraterrestrial and Posthuman Sentience 13. A Maelstrom of Replication: Peter Watts's Glitching Textual Source Codes Ben Eldridge, University of Sydney 14. The Missing Link: Bridging the Species Divide in Margaret Atwood's MaddAddam Trilogy Dunja Mohr, University of Erfurt 15. 'I can't believe this is happening!': Bear Horror, the Species Divide, and the Canadian Fight for Survival in a Time of Climate Change Michael Fuchs, University of Graz 16. Interacting and Cohabiting with Humans, Earthlings, and Others in SFQ Isabelle Fournier, Trent University Part V Bridging the Slipstream: Generic Fluidity in Canadian Speculative Fiction 17. Holes Within and Bridges Beyond: The Transfictions of Elisabeth Vonarburg and Michel Tremblay Sylvie Berard, Trent University 18. Tropes Crossing: On Some Quebec Sf Writers from the Mainstream Sophie Beaule, St. Mary's University (Translated by Amy J. Ransom) 19. Transculture, Transgenre: Stanley Pean's Fantastic Detective Fiction Kathleen Kellett, Ryerson University Epilogue 20. [Excerpts from A Glossary of Non-Essential Forms and Genres in English- Canadian Literature] Jordan Bolay, University of Calgary

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