Ai Weiwei : good fences make good neighbors
著者
書誌事項
Ai Weiwei : good fences make good neighbors
Public Art Fund , Distributed by Yale University Press, c2019
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"This book documents the New York citywide exhibition, 'Ai Weiwei: Good fences make good neighbors', organized by Nicholas Baume, director and chief curator, with the assistance of Daniel S. Palmer, associate curator, Public Art Fund, October 12, 2017-Febrary 11, 2018"--Colophon
内容説明・目次
内容説明
A comprehensive presentation of Ai Weiwei's recent Public Art Fund exhibition Good Fences Make Good Neighbors, a powerful reflection on the global refugee crisis
Internationally renowned Chinese artist and activist Ai Weiwei (b. 1957) transformed over 300 sites across New York City into a compelling, ambitious public art exhibition concerned with the global refugee and migration crises. Good Fences Make Good Neighbors (on view from October 2017 to February 2018) consisted of immersive large-scale sculptures for city monuments, fences on building facades and bus stops, and portraits of refugees and immigrants displayed on outdoor banners. This publication documents the extraordinary project from conception to final installation, giving a behind-the-scenes look at the research, preparatory drawings, planning, and fabrication that brought it to life. The book includes an in-depth interview with Ai Weiwei about the project's personal significance, an essay by curator Nicholas Baume, and statements from a wide variety of individuals-including Olafur Eliasson, David Miliband, Hans Ulrich Obrist, and Jorge Ramos, among many others-about their interactions with the artworks. As Baume asserts, "Ai Weiwei created a remarkable model for what great public art strives to be-emotionally engaging and politically resonant, conceptually and formally inventive yet broadly accessible."
Distributed for the Public Art Fund
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