Ai Weiwei : good fences make good neighbors
Author(s)
Bibliographic Information
Ai Weiwei : good fences make good neighbors
Public Art Fund , Distributed by Yale University Press, c2019
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"This book documents the New York citywide exhibition, 'Ai Weiwei: Good fences make good neighbors', organized by Nicholas Baume, director and chief curator, with the assistance of Daniel S. Palmer, associate curator, Public Art Fund, October 12, 2017-Febrary 11, 2018"--Colophon
Description and Table of Contents
Description
A comprehensive presentation of Ai Weiwei's recent Public Art Fund exhibition Good Fences Make Good Neighbors, a powerful reflection on the global refugee crisis
Internationally renowned Chinese artist and activist Ai Weiwei (b. 1957) transformed over 300 sites across New York City into a compelling, ambitious public art exhibition concerned with the global refugee and migration crises. Good Fences Make Good Neighbors (on view from October 2017 to February 2018) consisted of immersive large-scale sculptures for city monuments, fences on building facades and bus stops, and portraits of refugees and immigrants displayed on outdoor banners. This publication documents the extraordinary project from conception to final installation, giving a behind-the-scenes look at the research, preparatory drawings, planning, and fabrication that brought it to life. The book includes an in-depth interview with Ai Weiwei about the project's personal significance, an essay by curator Nicholas Baume, and statements from a wide variety of individuals-including Olafur Eliasson, David Miliband, Hans Ulrich Obrist, and Jorge Ramos, among many others-about their interactions with the artworks. As Baume asserts, "Ai Weiwei created a remarkable model for what great public art strives to be-emotionally engaging and politically resonant, conceptually and formally inventive yet broadly accessible."
Distributed for the Public Art Fund
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