Hemingway, trauma and masculinity : in the garden of the uncanny

Bibliographic Information

Hemingway, trauma and masculinity : in the garden of the uncanny

Stephen Gilbert Brown

(American literature readings in the 21st century)

Palgrave Macmillan, c2019

Available at  / 6 libraries

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Includes bibliographical references and index

Description and Table of Contents

Description

Hemingway, Trauma and Masculinity: In the Garden of the Uncanny is at once a model of literary interpretation and a psycho-critical reading of Hemingway's life and art. This book is a provocative and theoretically sophisticated inquiry into the traumatic origins of the creative impulse and the dynamics of identity formation in Hemingway. Building on a body of wound-theory scholarship, the book seeks to reconcile the tensions between opposing Hemingway camps, while moving beyond these rivalries into a broader analysis of the relationship between trauma, identity formation and art in Hemingway.

Table of Contents

Part I The Love Chase1 Introduction: Entering the Garden-The Genealogy of a Reading2 Eden and Its Discontents 3 The Mother of Invention: The Birth of the Twin 4 Sisters of the Forest 5 The Forest of Four Wounds: Hemingway and the Sawyer's Daughter6 As One Animal of the Forest: "The Last Good Country" of Sibling ErosPart II The Blood Chase 7 The Father of the Forest: Identity Formation and Hemingway's Naturalist Calling8 An Uncanny Genealogy: Agassiz, Roosevelt, and Pound 9 A Father's Fall from Grace 10 The Rise of the Old Brute 11 The Tabula Fabulas: Re-Reading Hemingway's First Narratives

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