Anneliese Landau's life in music : Nazi Germany to émigré California
著者
書誌事項
Anneliese Landau's life in music : Nazi Germany to émigré California
(Eastman studies in music, [v. 152])
University of Rochester Press, 2019
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
Series number from CIP
内容説明・目次
内容説明
A detailed and moving account of the life of Anneliese Landau, who, in Nazi Germany and later in emigre California, fought against prejudice to do notable work in music.
This book introduces readers to a woman who truly persisted. Anneliese Landau pushed past bias to earn a PhD in musicology in 1930. She then lectured on early German radio, breaking new ground in a developing medium. After the Nazis forced the firing of all Jews in broadcasting in early 1933, Landau worked for a time in the Berlin Jewish Culture League (Judischer Kulturbund), a closed cultural organization created by and for Jews in negotiation with Hitler's regime. But, in 1939, she would emigrate alone, the fate of her family members tied separately to the Kindertransport and to the Terezin concentration camp.
Landau eventually settled in Los Angeles, assuming duties as music director of the Jewish Centers Association in 1944. In this role, she knew and worked with many significant historical figures, among them the composer Arnold Schoenberg, conductor Bruno Walter, and the renowned rabbi andphilosopher Leo Baeck.
Anneliese Landau's Life in Music offers fresh perspective on the Nazi period in Germany as well as on music in southern California, impacted as it was by the many notable emigres from German-speaking lands who settled in the area. But the book, the first to study Landau's life in full, is also a unique story of survival: an account of one woman's confrontation with other people's expectations of her, as a woman anda Jew.
Lily E. Hirsch is the author of A Jewish Orchestra in Nazi Germany: Musical Politics and the Berlin Jewish Culture League.
目次
Preface: The Black Thread
PART 1
Standing Up
Loss and Gain
Her Belin
On the Air
PART 2
An End and a Beginning
The Jewish Culture League
Jewish Music in Nazi Germany
Kristallnacht
Kindertransport
PART 3
Leaving Again
Judaism in Music Revisited
Forbidden Music
The Pull West
PART 4
The Jewish Community Center
International Composers
Making Music After War
A Cold War in the Sun
Spotlighting Composers
Back to Europe
PART 5
Going Place
Valley of the Dismissed?
At Her Desk
In Memoriam
Conclusion: "I Was There"
Bibliography
Index
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