Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989 : re-visions
Author(s)
Bibliographic Information
Cinema, state socialism and society in the Soviet Union and Eastern Europe, 1917-1989 : re-visions
(BASEES/RoutledgeCurzon series on Russian and East European studies / series editor, Richard Sakwa, 97)
Routledge, 2017, c2014
- : pbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.
Table of Contents
IntroductionPart 1: On Spaces and Nations1. Squeezing Space, Releasing Space: Spatial Research in the Study of Eastern European Cinema2. Thinking again about Cold War Cinema 3. Incommensurable Distance: Versions of National Identity in Georgian Soviet Cinema Part 2: Ideologies of Representation 4. Mirrors of Death: Subversive Subtexts in Bulgarian Cinema, 1964 -1979 5. Popular Cinema in Late 1960s Romania6. Stalinist Cinema and the Search for Audiences: Liubovc Orlova and the Case for Star StudiesPart 3: (Re)recordings, (Re)focusings, (Re)discoveries 7. The Political Camera: Comparing 1956 in Three Moments of Hungarian History8. Back to the Archives: The Testimonial Power of Soviet Silent Footage of the Holocaust9. The Human and the Possible: Animation in Central and Eastern Europe
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