Women writing art history in the nineteenth century : looking like a woman
著者
書誌事項
Women writing art history in the nineteenth century : looking like a woman
（Cambridge studies in nineteenth-century literature and culture, 95）
Cambridge University Press, 2016
- : pbk
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注記
"First published 2014. First paperback edition 2016"--T.p. verso
Bibliography: p. 209-220
Includes index
内容説明・目次
内容説明
This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.
目次
- Introduction
- 1. The profession of art history
- 2. The art of fiction
- 3. Girl guides: travel, translation, ekphrasis
- 4. Women's periods
- 5. Feminine arts
- Conclusion.
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