Art, anthropology, and contested heritage : ethnographies of TRACES
著者
書誌事項
Art, anthropology, and contested heritage : ethnographies of TRACES
Bloomsbury Academic, 2020
- : hardcover
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book presents innovative ethnographic perspectives on the intersections between art, anthropology, and contested cultural heritage, drawing on research from the interdisciplinary TRACES project (funded by the EU's Horizon 2020 program). The case studies in this volume critically assess how and in which arrangements artistic/aesthetic methods and creative everyday practices contribute to strengthening communities both culturally and economically. They also explore the extent to which these methods emphasize minority voices and ultimately set in motion a process of reflexive Europeanisation from below which unfolds within Europe and beyond its borders.
At the heart of the book is the development of a new way of transmitting contentious cultural heritage, which responds to the present situation in Europe of unstable political conditions and a sense of Europe in crisis. With chapters looking at difficult art exhibitions on colonialism, death masks, Holocaust memorials, and skull collections, the contributors articulate a response to the crisis in current economic-political conditions in Europe and advances brand new theoretical groundwork on the configuration of a renewed European identity.
目次
List of Figures
Contributors
Acknowledgments
1. Working with TRACES, Arnd Schneider (University of Oslo, Norway)
2. The Scattered Colonial Body: Serendipity and Neglected Heritage in the Heart of Rome, Arnd Schneider (University of Oslo, Norway)
3. The Palm, the Couscous, the Face, Leone Contini (Independent Researcher, Italy)
4. Research on Research on Research: On Reflexive Relationality, Matei Bellu (Humboldt-Universitat zu Berlin, Germany)
5. Framing Faces: A Conversation Between, Razvan Anton (Art and Design University of Cluj-Napoca, Romania), Julie Dawson (Leo Baeck Institute, UK) and Matei Bellu (Humboldt-Universitat zu Berlin, Germany)
6. An Ethnography of Process: Following the Realization of the Awkward Objects of Genocide Project, Katarzyna Maniak (Jagiellonian University in Krakow, Poland)
7. Awkward Objects of Genocide Project-Difficult Encounters with Holocaust Folk Art: A Hybrid Record of Research and Exhibition Planning, Roma Sendyka (Jagiellonian University in Krakow, Poland), Erica Lehrer (Concordia University, Canada), Wojciech Wilczyk (Krakow Photography Academy, Poland), Magdalena Zych Sendyka (Jagiellonian University in Krakow, Poland)
8. From Something to Nothing: A Peculiar Ethnography of a Peculiar Art Project, Blaz Bajic (University of Eastern Finland, Finland)
9. Casting of Death Domestic Research Society, Domestic Research Society
10. Dead Images: Multivocal Engagements with Human Remains, Aglaja Kempinski (University of Edinburgh, UK)
11. Disposing of Dead Images: Reflections on Contentious Heritage as Toxic Waste, John Harries (University of Edinburgh, UK) with Tal Adler and Aglaja Kempinski (University of Edinburgh, UK)
12. Participatory Approaches to Places of Unresolved Heritage: Working with The Communities of Long Kesh/Maze, Laura McAtackney (Aarhus University, Denmark)
13. Dispersed Presence: Long Kesh/Maze Prison, its Artefacts as Catalysts of Testimony, Martin Krenn (University of Applied Arts in Vienna, Austria) and Aisling O'Beirn (Ulster University, UK)
Index
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