Pseudo-Dionysius and Christian visual culture, c.500-900

Author(s)

    • Dell'Acqua, Francesca
    • Mainoldi, Ernesto Sergio

Bibliographic Information

Pseudo-Dionysius and Christian visual culture, c.500-900

edited by Francesca Dell'Acqua, Ernesto Sergio Mainoldi

(New approaches to Byzantine history and culture / series editors Floria Curta, Leonora Neville, Shaun Taugher)

Palgrave Macmillan, c2020

Available at  / 6 libraries

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Note

Includes bibliographical references and index

Description and Table of Contents

Description

This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius' contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.

Table of Contents

Chapter One - Introduction, Francesca Dell'Acqua and Ernesto Sergio Mainoldi.- Chapter Two - Reassessing the Historico-Doctrinal Background of Pseudo-Dionysius' Image Theory, Ernesto Sergio Mainoldi.- Chapter Three - Eikon and Symbolon in the Corpus Dionysiacum: Scriptures and Sacraments as Aesthetic Categories, Angelo Tavolaro.- Chapter Four - Pseudo-Dionysius and the Importance of Sensible Things, Filip Ivanovic.- Chapter Five - The Relation of Monks to Clergy in the Dionysian Hierarchy and its Byzantine Reception, Monk Evgenios Iverites.- Chapter Six - Images of Holy Men in Late Antiquity in Light of Pseudo-Dionysius the Areopagite: Framing Spiritual Ascent and Visualising Spiritual Hierarchy, Katherine Marsengill.- Chapter Seven - Pseudo-Dionysius and the Staging of Divine Order in Sixth-Century Architecture, Vladimir Ivanovici.- Chapter Eight - 'Visual Thinking' and the Influence of Pseudo-Dionysius the Areopagite in the Homilies and Hymns of Andrew of Crete, Mary B. Cunningham.- Chapter Nine - Pseudo-Dionysius and the Dormition of the Virgin Platytera ('Wider than Heaven'), Francesca Dell'Acqua.- Chapter Ten - Pseudo-Dionysius and the Post-Iconoclastic Mosaic Programme of Hagia Sophia, Natalia Teteriatnikov.

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Details

  • NCID
    BB29451534
  • ISBN
    • 9783030247683
  • Country Code
    sz
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Cham
  • Pages/Volumes
    xxix, 329 p.
  • Size
    22 cm
  • Parent Bibliography ID
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