Exhibiting war : the Great War, museums, and memory in Britain, Canada, and Australia
Author(s)
Bibliographic Information
Exhibiting war : the Great War, museums, and memory in Britain, Canada, and Australia
(Studies in the social and cultural history of modern warfare)
Cambridge University Press, 2019, c2017
- : pbk
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Note
First published 2017 (hardback)
Includes bibliographical references (p. 319-342) and index
Description and Table of Contents
Description
What does it mean to display war? Examining a range of different exhibitions in Britain, Canada and Australia, Jennifer Wellington reveals complex imperial dynamics in the ways these countries developed diverging understandings of the First World War, despite their cultural, political and institutional similarities. While in Britain a popular narrative developed of the conflict as a tragic rupture with the past, Australia and Canada came to see it as engendering national birth through violence. Narratives of the war's meaning were deliberately constructed by individuals and groups pursuing specific agendas: to win the war and immortalise it at the same time. Drawing on a range of documentary and visual material, this book analyses how narratives of mass violence changed over time. Emphasising the contingent development of national and imperial war museums, it illuminates the way they acted as spaces in which official, academic and popular representations of this violent past intersect.
Table of Contents
- Part I: 1. In search of the 'authentic' experience of war, 1914-17
- Part II: 2. Exhibiting for victory: travelling war photography displays, 1917-20
- 3. Art exhibitions: a higher truth in aid of victory and for posterity
- 4. Taming the monsters of war: exhibiting weapons and war trophies 1917-20
- Part III: 5. Consolidations: creating national museums and narratives of war, 1920-35
- 6. Museums, monuments, and memory: exhibiting war as part of national and imperial commemorative projects since 1925.
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