Court festivals of the European Renaissance : art, politics and performance
著者
書誌事項
Court festivals of the European Renaissance : art, politics and performance
Routledge, 2017, c2002
- : hbk
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
"First published 2002 by Ashgate Publishing"--T.p. verso
Includes bibliographical references and index
内容説明・目次
内容説明
Festival culture is an area which has attracted increasing interest in the field of Renaissance studies in recent years. In part the outcome of scholars' focus on the place of the city in the establishment and dissemination of common culture, the attention paid to festivals also arises from the interdisciplinary nature of the topic, which reaches across the usual demarcation lines between disciplines such as cultural, political and economic history, literature, and the visual and performing arts. The scholars contributing to this volume include representatives from all these disciplines. Their essays explore common themes in festival culture across Renaissance Europe, including the use of festival in political self-fashioning and the construction of a national self-image. Moreover, in their detailed examination of particular types of festival, they challenge generalizations and demonstrate the degree to which these events were influenced the personality of the prince, the sources of funding for the ceremony, and the role of festival managers. Usually perceived as binding forces promoting social cohesion, festivals held the potential for discord, as some of the essays here reveal. Examining a wide range of festivals including coronations, triumphal entries, funerals and courtly spectacles, this volume provides a more inclusive understanding than hitherto of festivals and their role in European Renaissance culture.
目次
- Contents: Introduction, J.R. Mulryne
- Recovering the Past: Early modern European festivals - politics and performance, event and record, Helen Watanabe-O'Kelly
- The Renaissance triumph and its classical inheritance, Margaret M. McGowan
- Early Modern France and Festival: Court festival and triumphal entries under Henri II, Richard Cooper
- Etiquette and architecture at the court of the last Valois, Monique Chatenet
- The politics of festivals at the Court of the last Valois, Nicolas Le Roux
- The financing and material organisation of court festivals under Louis XIV, Chantal Grell
- Festivals for Charles V: The two coronations of Charles V at Bologna, 1530, Bernhard Schimmelpfennig
- Charles V's journey through France, 1539-40, R. J. Knecht
- 'Greater than Zeuxis and Apelles': artists as arguments in the Antwerp entry of 1549, Jochen Becker
- Ceremony and Elizabethan England: The funeral of Sir Philip Sidney and the politics of Elizabethan festival, Elizabeth Goldring
- 'And the King of Barbary's envoy had to stand in the yard': the perception of Elizabethan court festivals in Russia at the beginning of the 17th century, Victoria Musvik
- The Performance of Festival: Music, Theatre, and Event: Rites of passage: Cosimo I de' Medici and the theatre of death, Iain Fenlon
- The role of music in Italian court festivals in the early Renaissance, Nicoletta Guidobaldi
- Music festivals at a capital without a court: Spanish Naples from Charles V (1535) to Philip V (1702), Dinko Fabris
- Music in Ferrarese festivals: harmony and chaos, Flora Dennis
- Checklists for Philostrate, Roger Savage
- Festival and Architecture: The theatrum for the entry of Claudia de' Medici and Federigo Ubaldo della Rovere into Urbino, 1621, Peter Davidson
- The first temporary Triumphal Arch in Venice (1557), Maximilian L. S. Tondro
- Ephemeral ceremonial architecture in Prague, Vienna and Cracow in the 16th and early 17th centuries, Marina Dmitrieva-Einhorn
- Index.
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