Enjoy
Author(s)
Bibliographic Information
Enjoy
(French's acting edition)
Samuel French, c2011
- Other Title
-
エンジョイ
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
"This translation was originally commissioned and developed by The Play Company, (Kate Loewald, Founding Producer) in New York City"--P. [3]
Description and Table of Contents
Description
Characters: 6 male, 4 female Minimal Set From acclaimed Japanese director/playwright Toshiki Okada, Artistic Director of the internationally-lauded chelfitsch Theatre Company, comes a chronicle of post-college ennui and 21st Century relationships in Japan's Lost Generation. The static lives of several self-obsessed GenX comic book store clerks are thrown out of balance by the presence of a younger female co-worker, who rightly makes them question the meaning of their lives in a shifting socio-economic landscape. Written in the hyper-colloquial style Okada has become famous for, this play is presented for the first time in English in a translation by Japanese American playwright Aya Ogawa, and was met with massive critical praise upon its New York premiere. "Listless characters translate easily to a different culture, the blunt colloquial language elevates this drama into something more daring...Distinguished by a style that turns inarticulateness into the sort of poetry that rewards close listening. Mr. Okada, with the help of a very deft translation by Aya Ogawa, makes sure that even if it take a while to communicate a thought, a mood of indulgence and despair emerges clearly."
- The New York Times "Toshiki Okada's new play deserves the attention of a major theatrical event. Meditations on age, failure, and finance read clearly as existentialism for the reigning recession. Like the best works of the theater of the absurd, Enjoy turns its humility into philosophy." - Backstage
by "Nielsen BookData"