"Losing one's head" in the ancient Near East : interpretation and meaning of decapitation
Author(s)
Bibliographic Information
"Losing one's head" in the ancient Near East : interpretation and meaning of decapitation
(Studies in the history of the ancient Near East)
Routledge, 2018
- : hbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [79]-88) and index
Description and Table of Contents
Description
In the Ancient Near East, cutting off someone's head was a unique act, not comparable to other types of mutilation, and therefore charged with a special symbolic and communicative significance. This book examines representations of decapitation in both images and texts, particularly in the context of war, from a trans-chronological perspective that aims to shed light on some of the conditions, relationships and meanings of this specific act. The severed head is a "coveted object" for the many individuals who interact with it and determine its fate, and the act itself appears to take on the hallmarks of a ritual. Drawing mainly on the evidence from Anatolia, Syria and Mesopotamia between the third and first millennia BC, and with reference to examples from prehistory to the Neo-Assyrian Period, this fascinating study will be of interest not only to art historians, but to anyone interested in the dynamics of war in the ancient world.
Table of Contents
List of Illustrations
Preface
Acknowledgements
Image Credits
Abbreviations
Introduction
Chapter I
I.1. From the Distant Past to the Recent Past
I.2. An Unrepeatable Act
I.3. The Headless Body: Anonymity/Identity
Chapter II
II.1. Exclusivity/Multiplicity
II.2. Exhibition/Quantification
Chapter III
III.1. What Happens to the "Coveted Object"?
III.2. Destinations/Motivations
III.3. Exhibition and Multivalence
Chapter IV
IV.1. Severed Heads and Birds of Prey
IV.2. Eannatum of Lagash and the Birds of Prey
IV.3. Mari and the Birds of Prey
IV.4. Sargon I of Akkad and the Birds of Prey
IV.5. Dadusha of Eshnunna and the Birds of Prey
IV.6. The Assyrians and the Birds of Prey
Chapter V
V.1. Moving Through Space and Time
V.2. How Does the Head Travel?
Chapter VI
VI.1. "Other" Decapitations in Times of War
VI.2. What Happens to the Severed Heads of Statues?
VI.3. Moving Through Space and Time
VI.4. Annihilation/Catharsis
Bibliography
Index
by "Nielsen BookData"