Arakawa : diagrams for the imagination
Author(s)
Bibliographic Information
Arakawa : diagrams for the imagination
Gagosian Gallery, c2019
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
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  United Kingdom
  Germany
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  France
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Note
Exhibition catalogue
Catalogue of the exhibition held at Gagosian, New York, Mar. 5-Apr. 13, 2019
List of works: p. 122-125
Biography: p. 128-132
Description and Table of Contents
Description
A handful of years after he arrived in New York from Tokyo as a young Neo-Dada sculptor, Arakawa began producing two-dimensional works that brought together text and schematic images. These diagram paintings, begun in the mid-1960s, offered elusive combinations of signs and shapes with words and phrases. With these paintings, he sought to stimulate the formation of mental images by the viewer and for the viewer to engage both mind and eye in the act of perception. Arakawa would continue this investigation of human consciousness through diagrammatic works on paper and canvas over the following two decades. He used a variety of materials and created works ranging from modest-sized drawings to vast paintings on multiple panels. This striking volume takes a close look at this crucial period in Arakawa s art, prior to his return to three dimensions. Numerous illustrations, a new essay by Charles W. Haxthausen, and a historical text by Italo Calvino reveal an artist with a committed focus on our awareness of our bodies in the act of perceiving.
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