B-movie gothic : international perspectives
Author(s)
Bibliographic Information
B-movie gothic : international perspectives
(Traditions in world cinema / general editor, Steven Jay Schneider ; associate editors, Linda Badley, R. Barton Palmer)
Edinburgh University Press, c2018
- : hardback
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Explores the neglected subject of Gothic B-movies in the Americas, Europe, Asia and AfricaFollowing the Second World War, low-budget B-movies that explored and exploited Gothic narratives and aesthetics became a significant cinematic expression of social and cultural anxieties. Influencing new trends in European, Asian and African filmmaking, these films carried on the tradition established by the Gothic novel, and yet they remain part of a largely neglected subject. 'B-Movie Gothic: International Perspectives' examines the influence of Gothic B-movies on the cinematic traditions of the United States, Britain, Scandinavia, Spain, Turkey, Japan, Hong Kong and India, highlighting their transgressive, transnational and provocative nature. It shows how B-movie Gothic is a relentlessly creative form, filled with political tensions and moving from shocking conservatism to profound social critique.Key featuresExamines the Gothic in B-movie narratives and techniques in different national cinemasCovers US, British, Spanish, Turkish and Japanese Gothic, as well as the influence of Gothic on Scandinavian, Chinese, Tanzanian and Indian low-budget cinemaIncludes chapters on the transnational tradition of B-movie Gothic from the 1950s to the presentExplores how modes and tropes from Gothic fiction have been integrated into B-movies
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