From agent to spectator : witnessing the aftermath in Ancient Greek epic and tragedy
著者
書誌事項
From agent to spectator : witnessing the aftermath in Ancient Greek epic and tragedy
(Trends in classics : supplementary volumes, v. 30)
De Gruyter, c2016
- : [pbk.]
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注記
Originally presented as the author's thesis (Ph.D.)--Harvard University, 2009
Includes bibliographical references (p. [311]-326) and index
内容説明・目次
- 巻冊次
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ISBN 9783110439069
内容説明
This book looks at witnesses to suffering and death in ancient Greek epic (Homer's Iliad) and tragedy. Internal spectators abound in both genres, and have received due scholarly attention. The present monograph covers new ground by dealing with a specific subset of characters: those who are put in the position of spectator to (and, often, commentator on) their own deed(s). By their very nature, protagonists are confined to the role of witness to the suffering (or deaths) they have caused only for brief stretches of time - often a single scene or even just the length of a speech - but every instance is of central importance, not just to our understanding of the characters in question, but also to the articulation of fundamental themes within the poetic works under examination. As they shift from the status of agent to that of witness, these protagonists, qua spectators to the consequences of their actions, give voice to, dramatize, and enact the tragic motifs of human helplessness and mortal fallibility that lie at the core of Homeric epic and Greek tragedy and that define the human condition, in a manner that leads the audience looking on to ponder their own.
- 巻冊次
-
: [pbk.] ISBN 9783110578188
内容説明
This book looks at witnesses to suffering and death in ancient Greek epic (Homer's Iliad) and tragedy. Internal spectators abound in both genres, and have received due scholarly attention. The present monograph covers new ground by dealing with a specific subset of characters: those who are put in the position of spectator to (and, often, commentator on) their own deed(s). By their very nature, protagonists are confined to the role of witness to the suffering (or deaths) they have caused only for brief stretches of time - often a single scene or even just the length of a speech - but every instance is of central importance, not just to our understanding of the characters in question, but also to the articulation of fundamental themes within the poetic works under examination. As they shift from the status of agent to that of witness, these protagonists, qua spectators to the consequences of their actions, give voice to, dramatize, and enact the tragic motifs of human helplessness and mortal fallibility that lie at the core of Homeric epic and Greek tragedy and that define the human condition, in a manner that leads the audience looking on to ponder their own.
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