書誌事項

Series, multiples, replicas

volume editors, Daphne Barbour, Suzanne Quillen Lomax

(Facture : conservation, science, art history, v. 4)

National Gallery of Art , Distributed by Yale University Press, c2019

大学図書館所蔵 件 / 4

この図書・雑誌をさがす

注記

Includes bibliographical references

内容説明・目次

内容説明

A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication-by the artist's own hand or workshop, as a posthumous creation, or as a preferred practice-and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry. Distributed for the National Gallery of Art, Washington

「Nielsen BookData」 より

関連文献: 1件中  1-1を表示

詳細情報

  • NII書誌ID(NCID)
    BB29670844
  • ISBN
    • 9780300247619
  • LCCN
    2013200694
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Washington D. C.,New Haven ; London
  • ページ数/冊数
    xii, 267 p.
  • 大きさ
    29 cm
  • 件名
  • 親書誌ID
ページトップへ