Bibliographic Information

Series, multiples, replicas

volume editors, Daphne Barbour, Suzanne Quillen Lomax

(Facture : conservation, science, art history, v. 4)

National Gallery of Art , Distributed by Yale University Press, c2019

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Note

Includes bibliographical references

Description and Table of Contents

Description

A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication-by the artist's own hand or workshop, as a posthumous creation, or as a preferred practice-and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry. Distributed for the National Gallery of Art, Washington

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Details
  • NCID
    BB29670844
  • ISBN
    • 9780300247619
  • LCCN
    2013200694
  • Country Code
    us
  • Title Language Code
    eng
  • Text Language Code
    eng
  • Place of Publication
    Washington D. C.,New Haven ; London
  • Pages/Volumes
    xii, 267 p.
  • Size
    29 cm
  • Subject Headings
  • Parent Bibliography ID
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