Collected stories
著者
書誌事項
Collected stories
（The library of America, 327）
Library of America, c2020
大学図書館所蔵 件 / 全67件
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該当する所蔵館はありません
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注記
Chronology: p. 685-697
"Note on the texts": p. 698-701
Notes: p. 702-724
収録内容
- Castle nowhere : lake-country sketches
- Rodman the keeper : southern sketches
- The front yard and other Italian stories
- Dorothy and other Italian stories
- Miss Grief
- In Sloane Street
内容説明・目次
内容説明
A landmark of literary recovery: the first major edition of 19th-century America's greatest woman writer In her lifetime Constance Fenimore Woolson (1840-1894) was considered with George Eliot one of the two greatest women writers of the English language. She wrote fiction of remarkable intellectual power that outsold those of her male contemporaries Henry James and Willian Dean Howells. James enshrined memories of his long, complicated friendship with Woolson in The Beast in the Jungle and The Wings of the Dove, and more recently Colm Tobin treated the relationship in his novel The Master. But Woolson's close association with James, and her likely suicide in Venice, have tended to overshadow her own literary accomplishments, pigeonholing her as a martyr to the male literary establishment. This volume, the most comprehensive gathering of Woolson's stories to date, represents the culmination of decades of recovery work done by scholars, and puts the focus back on the work, where it belongs.
Set variously in the Great Lakes region, the post-Civil War South, and Europe, Woolson's short stories often concern outsiders of one kind or another--prophets and misfits living in remote landscapes, uneducated coal miners, impoverished spinsters, neglected nuns, a haunted caretaker of the dead, destitute southerners, and female artists driven to extreme behavior as they seek the admiration or approval of established (male) critics or writers. Woolson's minute realism captures both the social texture of her time and the inner emotional lives of these overlooked and marginalized characters. Most of all her writings startle us with their simmering intensity, their sensual descriptions of the environment, and refusal to smooth out the ambiguities and tensions that inevitably result from human efforts to communicate and connect. Her fiction is deeply human, resonating with a power across the centuries that makes them remarkably modern for today's readers.
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