Theatre and dictatorship in the Luso-Hispanic world

Bibliographic Information

Theatre and dictatorship in the Luso-Hispanic world

edited by Diego Santos Sánchez

(Routledge advances in theatre and performance studies)

Routledge, 2018

  • : hbk

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Theater and dictatorship in the Luso-Hispanic world

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Note

Includes bibliographical references and index

Description and Table of Contents

Description

Theatre and Dictatorship in the Luso-Hispanic World explores the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies. These are divided into three different approaches to theatre itself - as cultural practice, as performance, and as textual artifact - addressing topics including obedience, resistance, authoritarian policies, theatre business, exile, violence, memory, trauma, nationalism, and postcolonialism. This book draws together a diverse range of methodological approaches to foreground the effects and constraints of dictatorship on theatrical expression and how theatre responds to these impositions.

Table of Contents

Weaving the Luso-Hispanic Fabric: an Entangled World of Dictatorial Constraints and Theatrical Responses Diego Santos Sanchez (Universidad de Alcala) | Policies/Practices | Theatre Censorship and Foreign Drama in Estado Novo Portugal during the Spanish Civil War and the Second World War Zsofia Gombar (Universidade de Lisboa) Censorship on the Brazilian Scene: the "Distribution of the Sensible" and Art as a Political Force Maria Cristina Castillo Costa and Walter de Sousa Junior (Universidade de Sao Paulo) Jose Tamayo: Foreign Policy and Cultural Opportunism Carey Kasten (Fordham University) Galician Independent Theatre: a Breach in Franco's Dictatorship Cilha Lourenco Modia (Universidade da Coruna) The Aftermath of Dictatorship in Contemporary Basque Theatre Arantzazu Fernandez Iglesias (Universidad Nacional Espanola a Distancia, UNED) | Performance | Are All Tyrannies the Same? Rebellion Against Spanish Oppression as a Reenactment of Resistance to Totalitarianism in Marcos' Philippines Rocio Ortuno Casanova (Universiteit Antwerpen) Puppet theatre as response to dictatorship in Catalonia and Chile Cariad Astles (Royal Central School of Speech and Drama/University of Exeter) Dagoll Dagom's No hablare en clase, a Postdramatic Response to Francoism David Rodriguez Solas (University of Massachusetts Amherst) The politics of community and place in o bando's Nos Matamos o Cao Tinhoso! Vanessa Silva Pereira (Independent Scholar) | Texts | Bridging Literary Traditions in the Hispanic World: Equatorial Guinean Drama and the Dictatorial Cultural-Political Order Elisa Rizo (Iowa State University) Soldiers Without Orders, Actors Without Stages: Carlos Manuel Varela's Interrogatorio en Elsinore and Bosco Brasil's Novas diretrizes em tempos de paz Katya Soll (Baker University, Kansas, USA) Complicitous Acts in Argentina's Theater: La nona and De a uno Ariel Strichartz (St. Olaf College) Paraguay between Dictatorships: El Edificio, an Unknown Play by Josefina Pla Yasmina Yousfi (Universitat Autonoma de Barcelona, Spain) Negotiating Sexuality and Censorship in Las sabanas by Jose Corrales Lourdes Betanzos (Auburn University) Appropriating the Past Under Somoza and the Sandinistas: the Polyvalent Sign of El Gueguence E.J. Westlake (University of Michigan-Ann Arbor)

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