Border blurs : concrete poetry in England and Scotland
著者
書誌事項
Border blurs : concrete poetry in England and Scotland
（Liverpool English texts and studies / general editor, Philip Edwards, 79）
Liverpool University Press, 2019
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
内容説明・目次
内容説明
This book offers the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s to the 1970s. Concrete poetry was a literary and artistic style which reactivated early twentieth-century modernist impulses towards the merging of artistic media, while simultaneously speaking to a gamut of contemporary contexts, from post-1945 reconstruction to cybernetics, mass media and the sixties counter-culture. The terms of its development in England and Scotland suggest new ways of mapping ongoing complexities in the relationship between the two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s and 1970s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houedard and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research, and will fill a vital gap in contemporary understandings of an important but much misunderstood genre: concrete poetry. It will also serve as a vital document for scholars and students of twentieth-century British literature, modern intermedia art and modernism, especially those interested in understanding modernism's wide geographical spread and late twentieth-century legacies.
目次
1. Introduction
2. Concrete Poetry/ Konkrete Poesie/ Poesia Concreta: The International Scene
3. Order and Doubt: Ian Hamilton Finlay
4. Off-Concrete: Edwin Morgan
5. Apophasis: Dom Sylvester Houedard
6. Abstract Concrete: Bob Cobbing
7. Concrete Poetry and After: Conclusion
「Nielsen BookData」 より