Willa Cather and the arts

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書誌事項

Willa Cather and the arts

edited by Guy J. Reynolds

（Cather studies / edited by Susan J. Rosowski, 12）

University of Nebraska Press, c2020

  • : pbk

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Over the five decades of her writing career Willa Cather responded to, and entered into dialogue with, shifts in the terrain of American life. These cultural encounters informed her work as much as the historical past in which much of her writing is based. Cather was a multifaceted cultural critic, immersing herself in the arts, broadly defined: theater and opera, art, narrative, craft production. Willa Cather and the Arts shows that Cather repeatedly engaged with multiple forms of art, and that even when writing about the past she was often addressing contemporary questions. The essays in this volume are informed by new modes of contextualization, including the increasingly popular view of Cather as a pivotal or transitional figure working between and across very different cultural periods and by the recent publication of Cather's correspondence. The collection begins by exploring the ways Cather encountered and represented high and low cultures, including Cather's use of "racialized vernacular" in Sapphira and the Slave Girl. The next set of essays demonstrates how historical research, often focusing on local features in Cather's fiction, contributes to our understanding of American culture, from musicological sources to the cultural development of Pittsburgh. The final trio of essays highlights current Cather scholarship, including a food studies approach to O Pioneers! and an examination of Cather's use of ancient philosophy in The Professor's House. Together the essays reassess Cather's lifelong encounter with, and interpretation and reimagining of, the arts.

目次

Contents List of Illustrations Introduction: Willa Cather and the Arts Guy J. Reynolds 1. "A Lot of Things": The Value of the Vernacular in Shadows on the Rock Diane Prenatt 2. "Down by de Canebrake": Willa Cather, Sterling A. Brown, and the Racialized Vernacular Janis P. Stout 3. The Singer as Artist: Willa Cather, Olive Fremstad, and the Artist's Voice Sarah L. Young 4. Cather's Evolving Ear: Music Reheard in the Late Fiction John H. Flannigan 5. Memory and Image: Graphemics for a New Frontier Icon in My Antonia Joyce Kessler 6. "Paul's Case" and Pittsburgh: Industry and Art in the Great Manufacturing Town James A. Jaap 7. Under the White Mulberry Tree: Food and Artistry in Cather's Orchards Stephanie Tsank 8. "The Passionless Bride": Love, Loss, and Lucretius in The Professor's House Matthew Hokum 9. Advertising Willa Cather as Product Erika K. Hamilton Contributors Index

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  • Cather studies

    edited by Susan J. Rosowski

    University of Nebraska Press c1990-

    v. 1 , v. 2 , v. 3

    所蔵館31館

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