Study abroad pedagogy, dark tourism, and historical reenactment : in the footsteps of Jack the Ripper and his victims
著者
書誌事項
Study abroad pedagogy, dark tourism, and historical reenactment : in the footsteps of Jack the Ripper and his victims
(Palgrave pivot)
Palgrave Macmillan, c2019
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
This book is a genre-breaking response to the literature on study abroad. It stakes claim to an uncharted space between reflective pedagogy, public history studies, and investigations into dark tourism. Drawing on the author's experience of teaching short-term summer programs and courses in London between 2011 and 2018 that focused wholly or in part on the Whitechapel murders of 1888, the book analyzes experiential learning in the study abroad context. The book is informed by the instructor's reflections; students' informal essays and anonymous evaluations; and the scholarship of teaching and learning. It begins by situating programs and courses on the Whitechapel murders in the context of debates about overseas and experiential learning. It then proceeds to discuss the constraints to and possibilities for devising study abroad programs to include graduate students in humanistic disciplines; assignments and classroom activities utilized, including those with a reenactment component; the ethical complexities of teaching at dark sites; and the pedagogical implications of learning about Jack the Ripper in an age of terror. It concludes with reflections on the differences between study abroad programs and courses in cultivating students' global-mindedness.
目次
1. Introduction 2. Designing a Study Abroad Program to Include Humanities Graduate Students: Institutional Constraints and Possibilities 3. Fake News from Fleet Street: Jack the Ripper and the Victorian Periodical Press 4. Study Abroad and/as Historical Reenactment5. Teaching at Dark Sites 6. Inadvertently Reliving History: Teaching Jack the Ripper in a Time of Terror 7. From Short-Term Abroad Programs to Center-Based Courses: Reflections on Competing Priorities
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