I am legend as American myth : race and masculinity in the novel and its film adaptations
著者
書誌事項
I am legend as American myth : race and masculinity in the novel and its film adaptations
McFarland, c2018
- : softcover
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 203-213) and index
内容説明・目次
内容説明
Over the decades, Richard Matheson’s 1954 novel I Am Legend has spawned a series of iconic horror and science-fiction films, including The Last Man on Earth (1964) starring Vincent Price, The Omega Man (1971) featuring Charlton Heston, and I Am Legend (2007) with Will Smith. Its compelling narrative about the last man on earth struggling to survive a pandemic that has transformed the rest of humanity into monsters has arguably become an American myth. While its core story remains intact, filmmakers have transformed its details over time, their often mixed messages reflecting changing attitudes about race and masculinity in the United States. This reexamination of Matheson’s original novel situates its tale of a man’s conflicted attitude about killing racialized others within its post-World War II context, engaging the question of post-traumatic stress disorder. It then analyzes in turn the novel’s several film adaptations, focusing in particular on producers’ choice of actor to bring to life Robert Neville, the last man on earth. Released respectively during the Cold War and the Civil Rights Movement, the Vietnam War, and then much later in the post-9/11 era, these films reveal America’s ongoing struggle with racial conflict and the construction of masculinity.
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