Russian symbolism in search of transcendental liquescence : iconizing emotion by blending time, media, and the senses
著者
書誌事項
Russian symbolism in search of transcendental liquescence : iconizing emotion by blending time, media, and the senses
(Crosscurrents: Russia's literature in context)
Lexington Books, 2019
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
The book examines Russian symbolist texts and turns the focus from their traditional historic-cultural interpretations to analyze the symbolist cognitive aesthetics-aesthetics that govern links between poetry, art, and cinema and the sensory-emotional imagery they evoke. This aesthetics inextricably map mystical transcendence to a spiritual world-a realibus ad realiora-through fluid transmutation. Anastasia Kostetskaya presents an innovative cross-disciplinary analysis of iconicity-a relationship of resemblance between the artistic form and its meaning, the possibilities of which symbolist artists explored to create sublime emotional experiences for the reader or viewer. She challenges the strictly dualistic and hierarchical terms of traditional symbolist concepts. This study demonstrates that this counterdualistic tendency cognitively extends from liquescence-a perception of fluid continuity between people and water. This analysis of interconnected symbolist media shows how symbolists rely on blending in their attempts to engender emotional flux through the pliable form. Fusing cognitivist and historic-cultural approaches in fluidly connected art modes, this book represents chronological, conceptual, and aesthetic continuity from poetry by Konstantin Bal'mont (1867-1942), paintings by Viktor Borisov-Musatov (1870-1905), and cinematography by Evgenii Bauer (1865-1917).
目次
Introduction: Symbolist Arts as Forms Symbolic of Human Feeling
Chapter One: Liquescence: The Master Metaphor for Blending Strategies
Chapter Two: In Boundlessness: The Ocean of Surging Emotion in Konstantin Bal'mont's Cognitive Poetics
Chapter Three: Quiet Flows the Soul across the Boundless and Beyond: Viktor Borisov-Musatov's Symbolist Painting
Chapter Four: Symbolism in Flux: The Moving Image as Transcendent Emotion
Afterword: he Dying Swan: The Transcendent Body Image on Symbolist Screen
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