Art and reform in the late Renaissance : after Trent
Author(s)
Bibliographic Information
Art and reform in the late Renaissance : after Trent
(Visual culture in early modernity)
Routledge, 2019
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."
Table of Contents
List of Figures List of Plates Introduction: Rethinking Art after the Council of Trent (Jesse M. Locker) Chapter 1 On the 'Reform' of Painting: Annibale Carracci and Caravaggio (Clare Robertson) Chapter 2 Sculpture, Rupture, and the 'Baroque' (Estelle Lingo) Chapter 3 Spanish Artists in the Forefront of the Tridentine Reform (Marcus Burke) Chapter 4 Judgment, Resurrection, Conversion: Art in France During the Wars of Religion (Iara A. Dundas) Chapter 5 Reform after Trent in Florence (Marcia Hall) Chapter 6 Quella inerudita semplicita lombarda: The Lombard Origins of Baroque and Counter-Reformation Affectivity (Anne Muraoka) Chapter 7 The Allure of the Object in Post-Tridentine Spanish Painting (Carmen Ripolles) Chapter 8 Federico Barocci, History, and the Body of Art (Stuart Lingo) Chapter 9 Neither for Trent nor Against: Faith and Works in Hendrick Goltzius's Allegories of the Christian Creed (Walter Melion) Chapter 10 Francisco Ribalta's Last Supper as a Symbol of Reform in Early Modern Valencia (Lisandra Estevez) Chapter 11 Water in Counter-Reformation Rome (Katherine Rinne) Chapter 12 A Missionary Order without Saints: The Extraordinary Case of the Iconography of Unbeatified Jesuits in Italy and South America, 1560-1622 (Gauvin Alexander Bailey) Chapter 13 Bernardo Bitti: An Italian Reform Painter in Peru (Christa Irwin) Chapter 14 Painting as Relic: Giambattista Marino's Dicerie Sacre and the Shroud of Turin (Andrew Casper) Chapter 15 Resisting the Baroque in mid-Seventeenth-Century Florence (Eva Struhal) List of Contributors Index
by "Nielsen BookData"