Representation and memory in graphic novels
著者
書誌事項
Representation and memory in graphic novels
(Memory studies: global constellations / series editor: Henri Lustiger-Thaler)
Routledge, 2019
- : hbk
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
収録内容
- Introduction: Comics, memory, and the visual archive
- Migrant memories in Henry Yoshitaka Kiyama's The four immigrants manga and The arrival by Shaun Tan
- Racism and cultural afterlives: American born Chinese by Gene Luen Yang and Pat Grant's Blue
- Narrating trauma in Marjane Satrapi's Persepolis
- Memories of illness in Epileptic by David B. and Stitches by David Small
- Multimodal memories: The photographer: into war-torn Afghanistan with doctors without borders by Guibert et al. and Waltz with Bashir by Ari Folman and David Polonsky
- Comics online: memories from the exclusion zone in "At work inside our detention centres: a guard's story" by Wallman et al. and "Villawood" by Safdar Ahmed
内容説明・目次
内容説明
This book analyses the relationship between comics and cultural memory. By focussing on a range of landmark comics from the twentieth and twenty-first centuries, the discussion draws attention to the ongoing role of visual culture in framing testimony, particularly in relation to underprivileged subjects such as migrants and refugees, individuals dealing with war and oppressive regimes and individuals living with particular health conditions. The discussion is influenced by literary and cultural debates on the intersections between ethics, testimony, trauma, and human rights, reflected in its three overarching questions: 'How do comics usually complicate the production of cultural memory in local contents and global mediascapes?', 'How do comics engage with, and generate, new forms of testimonial address?', and 'How do the comics function as mnemonic structures?'
The author highlights that the power of comics is that they allow both creators and readers to visualise the fracturing power of violence and oppression - at the level of the individual, domestic, communal, national and international - in powerful and creative ways. Comics do not stand outside of literature, cinema, or any of the other arts, but rather enliven the reciprocal relationship between the verbal and the visual language that informs all of these media. As such, the discussion demonstrates how fields such as graphic medicine, graphic justice, and comics journalism contribute to existing theoretical and analytics debates, including critical visual theory, trauma and memory studies, by offering a broad ranging, yet cohesive, analysis of cultural memory and its representation in print and digital comics.
目次
Introduction: Comics, Memory, and the Visual Archive 1. Migrant Memories in Henry Yoshitaka Kiyama's The Four Immigrants Manga, and The Arrival by Shaun Tan 2. Racism and Cultural After-Lives: American Born Chinese by Gene Luen Yang and Pat Grant's Blue 3. Narrating Trauma in Marjane Satrapi's Persepolis 4. Memories of Illness in Epileptic by David B. and Stitches by David Small 5. Multimodal Memories: The Photographer: Into War-Torn Afghanistan with Doctors Without Borders by Guibert et al and Ari Folman's Waltz with Bashir 6. Comics Online: Memories from the Exclusion Zone in 'At Work Inside our Detention Centres: A Guard's Story' by Wallman et al, and 'Villawood' by Safdar Ahmed' Afterword
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