'Bad' women of Bombay films : studies in desire and anxiety
著者
書誌事項
'Bad' women of Bombay films : studies in desire and anxiety
Palgrave Macmillan, c2019
- タイトル別名
-
Bad women of Bombay films : studies in desire and anxiety
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references, filmographies, and index
内容説明・目次
内容説明
This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India's most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term 'bad' is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations.
The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate.
目次
- 1. Saswati Sengupta, Shampa Roy and Sharmila Purkayastha : Introduction: Breaking BadThe Disorderly Presence at Home2. Ira Bhaskar:Desire, Deviancy and Defiance in Bombay Cinema (1937-1960)3. Shampa Roy, Saswati Sengupta: "haan, haan mein alaida hoon!" (Yes, yes I am different!): the Disorderly Bibi in Sahib, Bibi aur Ghulam (1962)4. Mrinal Pande:The Goddess of Mean Things: the Mother-in-law in Hindi Films5. Anjali Yadav, Anusha Choudhary, Divya Gupta, Ifsha Zehra, Neha Jaji Varghese, Prachi Khari, Shaifali Singh, Soumya Sharma, Tooba Towfiq, Violina Barman:"ek admi tha, usne shadi karli!" ("There was a man who got married!"): Female Agency and Domestication in Omkara (2006) The Business of the Body6. Deepika TandonThe Politics of Sanitisation / Sanskritisation: the Court Dancers and Classical Pasts (Rajnartaki, 1941
- Chitralekha, 1964
- Amrapali, 1966)7. Ruth Vanita:Goddess, Saint and Journeying Soul: Courtesans and Religion in Bombay Cinema (1939-2015)8. Sameera Mehta:The Prison-House of Performance: the Figure of the Dancing Girl in Bombay Films of the1960s9. Neha Yadav:Guns, Gangsters and "Gandagi": the Moll in Hindi Cinema10. Rakesh Shukla:Sex Workers in Hindi Cinema: Imagos and RealitiesThe Question of Violence11. Smita Banerjee: The Caged Woman: Female Guilt, Desire and Transgression in Bandini (1963)12. Menka Ahlawat:"itni bhhi mahaan main nahi hoon, raja!" ("I'm not that great, O king"): the Angry Young Woman of the 1970s13. Neha Dixit:Outcast[e] / Outlawed: The Bandit Queen (1996)14. Isha Purkayastha: The Female Atankvadi: Gender, Militancy and the Politics of Representation in the late 90s.15. Nonica Datta: Honoured Mother and 'Honour' Killing: Ammaji in NH10 (2015) The Advent of the New Woman16. Nupur Mittal:Of Pallus and Pants: Fabricating the New Woman of the New Nation Andaz (1949), Mr. and Mrs. 55 (1955), Shri 420 (1955)17. Megha Anwer: Consumer Pleasures and Hindi Cinema's En-gendered Distribution of Moral Capital in Hum Aapke Hain Koun (1994) and Zindagi Na Milegi Dobara (2011)18. Puja Sen: Twenty-first century Heroines: Modernity in Cocktail (2012), Queen (2014) and Highway (2014)19. Abhija Ghosh:Curiosity, Consent and Desire in Masaan (2015), Pink (2016), Lipstick Under My Burkha (2016) and Veere Di Wedding (2018). The Screening of the Actress 20. Shikha Kothiyal:"naye naam nit naye roop dhar" (Don new names and new forms daily): the Figure of the Actress in Hindi Cinema21. An Interview with Swara Bhaskar: Playing Anaarkali: Gender, Morality and Erotica.
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