Trad nation : gender, sexuality, and race in Irish traditional music
著者
書誌事項
Trad nation : gender, sexuality, and race in Irish traditional music
（Music culture）
Wesleyan University Press, 2020
[1st ed.]
- : hard
- : pbk
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注記
Includes bibliographical references and index
収録内容
- Mother Ireland and the Queen of Irish Fiddlers : Women Musicians and the Nation in Early Twentieth-Century Ireland
- The Not-So-Strange Disappearance of Treasa Ní Ailpín (Teresa Halpin) : Class, Gender, and Musical Style in Early Twentieth-Century Ireland
- Biography, Musical Life, and Gender : Julia Clifford as a Woman Traditional Musician
- Subjectivity, Flow, and "the Music Itself "
- Playing Right and the Right to Play : (Dis)identification Tactics Among Queer Musicians and Musicians of Color
内容説明・目次
内容説明
Just how "Irish" is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tess Slominski argues that ethnic nationalism hinders this music's development today and in an increasingly multiethnic Ireland. She discusses early-twentieth century women whose musical lives were shaped by Ireland's struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early-twenty-first century.
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