Contemporary art in heritage spaces

著者

    • Cass, Nick
    • Park, Gillian
    • Powell, Anna

書誌事項

Contemporary art in heritage spaces

edited by Nick Cass, Gillian Park and Anna Powell

Routledge, 2020

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Contemporary Art in Heritage Spaces considers the challenges that accompany an assessment of the role of contemporary art in heritage contexts, whilst also examining ways to measure and articulate the impact and value of these intersections in the future. Presenting a variety of perspectives from a broad range of creative and cultural industries, this book examines case studies from the past decade where contemporary art has been sited within heritage spaces. Exploring the impact of these instances of intersection, and the thinking behind such moments of confluence, it provides an insight into a breadth of experiences - from curator, producer, and practitioner to visitor - of exhibitions where this juncture between contemporary art and heritage plays a crucial and critical role. Themes covered in the book include interpretation, soliciting and measuring audience responses, tourism and the visitor economy, regeneration agendas, heritage research, marginalised histories, and the legacy of exhibitions. Contemporary Art in Heritage Spaces will be essential reading for academics and students engaged in the study of museum and heritage studies and contemporary art around the globe. Museum practitioners and artists should also find much to interest them within the pages of this volume. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

目次

Introduction Part I: Reimagining Heritage 2. Mapping Contemporary Art in the Heritage Experience 3. Making Cities: Places, Production, and (Im)material Heritage 4. Gestured by Brass Art: Gestures, Ambiguity, and Material Transformation at Chetham's Library Part II: Alternative Histories 5. Making the Invisible Visible in Capability Brown's Lost Landscapes 6. A Room of One's Own: Strategies of Feminist Arts Interventions 7. Contemporary Interventions and Conflict: The Possibilities of 'Critical Historical Consciousness' as a Mode of Heritage Production 8. Mapping Contemporary Art in the Heritage Experience: Mary Eleanor Bowes and The Orangery Urns Part III: Disciplinary Dialogues 9. Expanded Interiors: Bringing Contemporary Site-Specific Fine-Art Practice to Roman Houses at Herculaneum and Pompeii. 10. Practicing History: Art, Archives, and Footnotes 11. Understanding the Audience Experience of Contemporary Visual Arts at Geevor Mine World Heritage Site: A Dialogue between a Contemporary Artist and a Sociologist Part IV: Liminal Spaces 12. Numinous Experiences in the Home of the Brontes 13. Transactions of an Artist's Placement: Planning Berwick-upon-Tweed with Sander Van Raemdonck 14. Bruce Nauman at York St Mary's: A Hermeneutic Enquiry into 'The Intersection'

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