A companion to feminist art

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書誌事項

A companion to feminist art

edited by Hilary Robinson and Maria Elena Buszek

（Blackwell companions to art history, 17）

Wiley Blackwell, 2019

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注記

Includes index

内容説明・目次

内容説明

Original essays offering fresh ideas and global perspectives on contemporary feminist art The term 'feminist art' is often misused when viewed as a codification within the discipline of Art History-a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines 'art' as a dynamic set of material and theoretical practices in the realm of culture, and 'feminism' as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art-in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.

目次

Series Editor Preface xi About the Editors xiii Notes on Contributors xv Introduction 1 Part I Geographies 15 1 Recurring Questions, Cyclical Energies: A History of Feminist Art Practices in Australia 17 Julie Ewington 2 Debunking the Patriarchy: Feminist Collectives in Argentina, Bolivia, Chile, and Peru 37 Maria Laura Rosa (Translated by Maria Elena Buszek) 3 Women Artists: Making a Subject Space in India 53 Gayatri Sinha 4 Feminism as Activism in Contemporary South African Art 69 Karen von Veh 5 Moving Towards Paratactical Curating: A Critical Overview of Feminist Curating in Istanbul in the Twenty-First Century 91 Ebru Yetiskin 6 From Within, From Without: Configurations of Feminism, Gender and Art in Post-Wall Europe 111 Martina Pachmanova 7 Crossing Borders and Other Dividers in Western Europe and the British Isles 127 Alexandra Kokoli 8 Wheels and Waves in the USA 141 Mira Schor Part II Being 155 9 Essentialism, Feminism, and Art: Spaces Where Woman "Oozes Away" 157 Amelia Jones 10 Feminist Ageing: Representations of Age in Feminist Art 181 Michelle Meagher 11 Letters to Susan 199 Lubaina Himid 12 Feminist Art Re-Covered 215 Richard Meyer 13 Collecting Creative Transcestors: Trans* Portraiture Hirstory, from Snapshots to Sculpture 225 Eliza Steinbock Part III Doing 243 14 Witness It: Activism, Art, and the Feminist Performative Subject 245 Hilary Robinson 15 Feminism and Language 261 Griselda Pollock 16 Busy Hands, Light Work: Toward a Feminist Historiography of Hand-Made Photography in the Era of the 'New Materiality' 283 Harriet Riches 17 Reading Posthumanism in Feminist New Media Art 299 Maria Fernandez 18 Finding Ourselves Feminists: Curating and Exhibitions 315 Lucy Day and Eliza Gluckman 19 Erasure, Transformation and the Politics of Pedagogy as Feminist Artistic/Curatorial Practice 331 Felicity Allen Part IV Thinking 351 20 Art Matters: Feminist Corporeal-Materialist Aesthetics 353 Marsha Meskimmon 21 The Hidden Abode Beneath/Behind/Beyond the Factory Floor, Gendered Labor, and the Human Strike: Claire Fontaine's Italian Marxist Feminism 369 Jaleh Mansoor 22 Dear World: Arts and Theories of Queer Feminism 389 Tirza Latimer 23 From Representation to Affect: Beyond Postmodern Identity Politics in Feminist Art 405 Susan Best 24 Call and Response: Conversations with Three Women Artists on Afropean Decoloniality 419 Alanna Lockward Part V Relating 437 25 On Feminism, Art and Collaboration 439 Amy Tobin 26 Opening the Patriarchive: Photography, Feminism, and State Violence 459 Siona Wilson 27 Maternal Mattering: The Performance and Politics of the Maternal in Contemporary Art 475 Natalie Loveless 28 Ars Eroticas of Their Own Making: Explicit Sexual Imagery in American Feminist Art 493 Tanya Augsburg 29 Masculinity, Art, and Value Extraction: An Intersectional Reading in the Advance of Capital as Post-Democracy 513 Angela Dimitrakaki 30 New Subjects and Subjectivities 533 Jill Bennett Index 545

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