War isn't the only hell : a new reading of World War I American literature

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War isn't the only hell : a new reading of World War I American literature

Keith Gandal

Johns Hopkins University Press, c2018

  • : hardcover

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Includes index

内容説明・目次

内容説明

A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army's unprecedented attempt during World War I to assign men-except, notoriously, African Americans-to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context-as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed-often in coded ways-the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers-Katherine Anne Porter, Willa Cather, and Ellen La Motte-who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn't the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.

目次

Acknowledgments Introduction Part I 1. Noncombatant Mobilization Wounds 2. The Horrors of War Mobilization 3. Saved by French Arrest and Imprisonment 4. Hemingway's Thrice-Told Tale Part II 5. The Mobilization of Young Women 6. "A Miracle So Wide" Part III 7. A War Hero in an Antiwar Tale? 8. The Intimate Seductions of Meritocracy 9. Not Only What You Would Expect 10. Too Glorifying to Tell Conclusion Notes Index

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