Echo room echo room echo room : Thorvaldsen, Willumsen, Jorn and their collections
著者
書誌事項
Echo room echo room echo room : Thorvaldsen, Willumsen, Jorn and their collections
Hatje Cantz, c2018
- タイトル別名
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Echo room
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注記
Published in conjunction with the exhibition held at J.F. Willumsen's Museum, Frederikssund, Denmark, June 10-December 30, 2018
Includes bibliographical references (p. [291]-292)
収録内容
- Preface / Anne Gregersen, Lisbeth Lund, Christian Vind
- Foreword / Lisbeth Lund
- The artist as collector, curator, art historian, and museum builder / Anne Gregersen
- Echo room / Christian Vind
- Artists, museums, and collecting as an art form, 1833-1951 / Rasmus Kjæboe
- Art history and the legend of the artist in Bertel Thorvaldsen's painting collection / Michael Thimann
- Echoes of antiquity : Thorvaldsen's collections as a reservoir of motifs / Karen Benedicte Busk-Jepsen
- A selection of works from Bertal Thorvaldsen's collection / Christian Vind
- J.F. Willumsen's collections, collage aesthetics, and modifications of the past / Anne Gregersen
- J.F. Willumsen and El Greco : collecting, theory, and practice / Yannis Hadjinicolaou
- A selection of woks from J.F. Willumsen's collection / Christian Vind
- Writing art history by curating : Ny international kunst / Anne Gregersen
- Frederik Dam and Fernand Léger / Asger Jorn
- Archival activities : the visual archaeology of Asger Jorn and Richard Winther / Jens Tang Kristensen
- A selection of works from Asger Jorn's collection / Christan Vind
内容説明・目次
内容説明
What do the sculptor Bertel Thorvaldsen (1770-1844), the Symbolist Jens Ferdinand Willumsen (1863-1958), and the artist Asger Jorn (1914-1973) have in common besides the international outlook that made them leave their Danish motherland? They lived in different eras, yet built up vast artist collections that echo as well as pollinate their own artistic practice in similar ways. Thorvaldsen was known for his expertise in antique art, Willumsen as an El Greco expert, and Jorn-a co-founder of COBRA and the Situationist International-strove to make modern art accessible to a broad audience. All three of these artists' art collections, now in public museums, each carry an individual style that does not espouse collecting art chronologically, but rather intuitively. This uniquely designed catalogue presents the artists' different approaches to collecting, which shook up the museum landscapes of the nineteenth and twentieth centuries.
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