CiNii 図書 - Neo-Latin drama and theatre in early modern Europe

From ca. 1300 a new genre developed in European literature, Neo-Latin drama. Building on medieval drama, vernacular theatre and classical drama, it spread around Europe. It was often used as a means to educate young boys in Latin, in acting and in moral issues. Comedies, tragedies and mixed forms were written. The Societas Jesu employed Latin drama in their education and public relations on a large scale. They had borrowed the concept of this drama from the humanist and Protestant gymnasia, and perfected it to a multi media show. However, the genre does not receive the attention that it deserves. In this volume, a historical overview of this genre is given, as well as analyses of separate plays. Contributors include: Jan Bloemendal, Jean-Frederic Chevalier, Cora Dietl, Mathieu Ferrand, Howard Norland, Joaquin Pascual Barea, Fidel Radle, and Raija Sarasti Willenius.

List of Illustrations Preface Map showing places of Neo-Latin dramatic activity 1. Introduction: Neo-Latin Drama: Contexts, Contents and Currents Jan Bloemendal and Howard B. Norland 2. Neo-Latin Theatre in Italy Jean-Frederic Chevalier 3. Neo-Latin Humanist and Protestant Drama in Germany Cora Dietl 4. Jesuit Theatre in Germany, Austria and Switzerland Fidel Radle 5. Neo-Latin Drama in the Low Countries Jan Bloemendal 6. Humanist Neo-Latin Drama in France Mathieu Ferrand 7. Jesuit Neo-Latin Tragedy in France Jean-Frederic Chevalier 8. Neo-Latin Drama in Britain Howard B. Norland 9. Neo-Latin Drama in Spain, Portugal and Latin America Joaquin Pascual Barea 10. Central and Eastern European Countries Jan Bloemendal 11. Latin Drama in the Nordic Countries Raija Sarasti-Wilenius Works Cited About the Authors Index of Names Index of Geographical Names Index of Anonymous Plays Index of Subjects

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Neo-Latin drama and theatre in early modern Europe

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