Censorship and the representation of the sacred in nineteenth-century England
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Bibliographic Information
Censorship and the representation of the sacred in nineteenth-century England
Oxford University Press, 2019
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Note
Includes bibliographical references (p. [243]-258) and index
Description based on 2nd impression
Contents of Works
- Introduction : representing the sacred in nineteenth-century England
- Censorship and sacred drama : policing the performance of incarnational art
- The art of the people : romanticism, the ritual year, and the rediscovery of the mystery plays
- '[T]o see the work of God/achieved for others' : sacrifice, (self)-censorship, and sacred closet drama
- Ecce homo, 'real presence', and the word made flesh : the drama of the incarnation in Victorian literature
- Homo ludens : the Oberammergau Passionsspiele and tragic 'play' at fin-de-siècle
- A study in repetition and revival : Jerrold, Tennyson, T.S. Eliot, and the case of Thomas à Becket
- Conclusion : on tragedy in the nineteenth century
