Drawing the sea near : satoumi and coral reef conservation in Okinawa
Author(s)
Bibliographic Information
Drawing the sea near : satoumi and coral reef conservation in Okinawa
University of Minnesota Press, c2020
- : hc
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 223-235) and index
Description and Table of Contents
Description
How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life
Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a "conservation-near" approach-which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western "conservation-far" model premised on the separation of humans from the environment.
Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa's coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations-in this case a field office of the World Wide Fund for Nature in Okinawa-negotiate institutional expectations for conservation with localized approaches to caring for ocean life.
In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?
Table of Contents
Contents
Abbreviations
Introduction: Drawing Near
1. The Airport Problem: Transnational Politics at Japan's Edge
A Song of Scientific Pluralism
2. Satoumi: Localism, Environmentalism, and the Development of an Oceanic Socionature
Shiraho's Nearshore Sea (ino)
3. Conservation in Collaboration: Transforming Practices at World Wide Fund for Nature's Field Station
Seeing the Sea
4. Gustatory Engagements: The Taste of Okinawa's Sea
Gods and Ghosts of the Sea
5. Transnational Conservation: Compositions, Circumventions, and Conflicts
Sea Stories
6. Touching and Smelling: Challenging Scientific Authority in Coral Encounters
Acknowledgments
Notes
Bibliography
Index
by "Nielsen BookData"