Therapeutic aesthetics : performative encounters in moving image artworks

著者

• Walsh, Maria

書誌事項

Therapeutic aesthetics : performative encounters in moving image artworks

Maria Walsh

（Radical aesthetics, radical art）

Bloomsbury Academic, 2021

• : hb

注記

Summary: "In this original book, Maria Walsh contends that neo-liberalism has created a world of precarity, in which human beings are expendable products. Even artists, who believed themselves to be separate from commercialism have found themselves labelled as commodities whose work is marketed for financial gain. In order to process this trauma, Walsh identifies several moving-image artists whose work performs therapeutic techniques such as REBT (Rational Emotive Behaviour Therapy) and VRET (Virtual Reality Exposure Therapy) that allows viewers to acknowledge and surmount the cases of depression, anxiety and post-traumatic stress disorder that precarity has wrought upon modern life"-- Provided by publisher

Bibliography: p. [206]-221

Includes index

内容説明・目次

内容説明

Therapeutic Aesthetics focuses on moving image artworks as expressive of social psychopathological symptoms that arise in a climate of neoliberal cognitive capitalism, such as anxiety, depression, post- traumatic stress disorder and burnout. The book is not about engaging with art as a therapy to express personal traumas and symptoms but proposes that a selective range of contemporary moving image artworks performatively mimic the psychopathologies of cognitive capitalism in a conflictual manner. Engaging with a range of philosophers and theorists, including Bernard Stiegler, Franco 'Bifo' Berardi, Judith Butler, Felix Guattari, and Eva Illouz, Maria Walsh proposes that there is no cure, only provisional moments of reparation. To address this idea, she uses the concept of the pharmakon, the Greek term for drug which means both remedy and poison. Through this approach, she maintains the conflict between the curative and the harmful in relation to moving image artworks by artists such as Omer Fast, Liz Magic Laser, Leigh Ledare, Oriana Fox, Gillian Wearing and Rehana Zaman. As transitional spaces, these artworks can enable a toleration of anxiety and conflict that may offer another kind of aesthetic self-cultivation than the subjection to biopolitical governance in cognitive capitalism.

目次

Introduction 1. Setting the scene - two supplementary vignettes 2. The imbrication of poison and cure in Harun Farocki 3. Homeopathic mimicry in Omer Fast's war trilogy 4. Melanie Gilligan's signifying semiologies and the micro-resistance of collective subjectivity 5. Pharmacological reparation in Liz Magic Laser's Primal Speech 6. Leigh Ledare's pharmacological aesthetics of group analysis 7. Aesthetic modes of performative truth-telling in The O Show and Self Made 8. The transitional pleasures of emotional labour in Lucy Beech's and Rehana Zaman's videos Conclusion: Toxicity and self-care - two poles of pharmacological aesthetics References Index

「Nielsen BookData」 より

詳細情報

• NII書誌ID(NCID): BC01430433
• ISBN:
  • 9781350093157
• LCCN: 2020029960
• 出版国コード: uk
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: London
• ページ数/冊数: xi, 227 p.
• 大きさ: 24 cm
• 分類:
  • LCC : RC489.A7
  • DC23 : 615.8/5156
• 件名:
  • LCSH : Art therapy
• 親書誌ID:
  • BB22472911