Unsettling Native art histories on the Northwest coast

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Unsettling Native art histories on the Northwest coast

edited by Kathryn Bunn-Marcuse, Aldona Jonaitis

（Native art of the Pacific Northwest : a Bill Holm Center series）

Bill Holm Center for the Study of Northwest Coast Art, Burke Museum, in association with University of Washington Press, c2020

  • : hardcover

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Includes index

内容説明・目次

内容説明

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.

目次

Introduction Kathryn Bunn-Marcuse PART I. Cultural Heritage Protection: Questions of Rights and Authorityr>A Bear in the Cedar, by Duane Niatum Chapter 1. The Seward Shame Pole: A Tlingit Countermonument to the Alaska Purchase Emily L. Moore Chapter 2. The Social Life of Stones: Haida hlg as7agaa/argillite and the Making of Inalienable Commodities Kaitlin McCormick Chapter 3. Morse Code for Creation: Jim Schoppert's Painterly Language for a Postmodern Revival Christopher Green Chapter 4. From "Artifakes" to "Surrogates": The Replication of Northwest Coast Carving by Non-Natives Janet Catherine Berlo and Aldona Jonaitis PART II. Women's Work: Stories, Art, and Power >One Square Inch, by Lily Hope Chapter 5. Stl'inll ~ Those with Clever Hands: Presenting Female Indigenous Art and Scholarship Jisgang Nika Collison Chapter 6. Copper Seaweed and Woven Octopus Bags: Shgen George and the Art of Resilience Megan A. Smetzer Chapter 7. Ellen Neel and Carving on the Coast: Three Decades of Change and Renewal Lou-ann Ika'wega Neel PART III. Changing Museums >Let Indigenous Reign, by Ishmael Hope Chapter 8. In the Spirit of Reconciliation: Rethinking Collections and the Act of Engagement at the Museum of Vancouver Sharon Fortney Chapter 9. The Museum Disappeared: Northwest Coast Art and the Object of Display Karen Duffek, Peter Morin, and Karen Benbassat Ali Chapter 10. From Behind-the-Scenes to the Front of the House: Here & Now: Native Artists Inspired at the Burke Museum Kathryn Bunn-Marcuse Chapter 11. Woosh.Jee.Een, Pulling Together: Repatriation's Healing Tide Lucy Fowler Williams, with contributions by Robert Starbard PART IV. Beyond Art >Thoughts on Formline, by Iljuuwaas Tyson Brown Chapter 12. Soft Robes of Thundering Power: Mountain Goat Fiber Textiles of the Northwest Coast Evelyn Vanderhoop Chapter 13. Sayach'apis and the Naani (Grizzly Bear) Crest Denise Nicole Green Chapter 14. Tlingit Art Ishmael Hope Conclusion. Fifty Years Studying Northwest Coast Art: A Personal View Aldona Jonaitis Contributors Index

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