Understanding Adorno, understanding modernism

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書誌事項

Understanding Adorno, understanding modernism

edited by Robin Truth Goodman

（Understanding philosophy, understanding modernism）

Bloomsbury Academic, 2020

  • : hb

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

Having studied philosophy at a time when its traditions were being seriously uprooted by the atrocities of World War II, Theodor Adorno had an enormous impact on thinking about aesthetics at a transitional historical moment when the philosophy of science and leftist politics were looking for new ground. Moreover, with his focus on the rise of commercial culture and its effects on identity-construction, Adorno can be said to have reinvigorated modernist concerns by introducing the prevailing terms in our contemporary versions of cultural politics and cultural studies. Understanding Adorno, Understanding Modernism traces Adorno’s social and aesthetic ideas as they appear and reappear in his corpus. As per other volumes in the series, this book is divided into three parts. The first, “Adorno’s Keywords,” is organized by the aesthetic terms around which Adorno’s philosophy circulates. The second section is devoted to “Adorno and Aesthetics.” While Adorno’s philosophical viewpoints influenced modernism’s evolution into the 21st century, the history of modernist aesthetics also shaped his philosophical approaches. The third and final part, “Adorno’s Constellations,” discusses how aesthetic form in Adorno’s thinking underlies the terms of his social analysis.

目次

Series Preface Notes on Contributors Introduction: Understanding Adorno, Understanding Modernism Robin Truth Goodman Section 1: Adorno’s Keywords 1 Adorno and Beyond: The Modern as Critique of Modernism Max Paddison, Durham University, UK 2 Under the Skin of Modernity: The Subcutaneous Brigit Antonia Hofstätter, Stockholm University, Sweden 3 Mimesis Unto Death Robin Truth Goodman, Florida State University, USA Section 2: Adorno’s Aesthetics 4 Adorno on Vinyl Jeffrey R. Di Leo, University of Houston-Victoria, USA 5 Critique, Complexity, Content: Adorno and Musical Modernism since 1970 Larson Powell, University of Missouri-Kansas City, USA 6 Between the Culture Industry and Art: Adorno’s Approach to Film Stefanie Baumann, University is New University of Lisbon, Portugal 7 How It Is (after Auschwitz): Adorno and Beckett Jean-Michel Rabaté, University of Pennsylvania, USA 8 Thinking Through and Beyond Modernism: Adorno and Contemporary Performance Sabine Wilke, University of Washington, USA 9 Re-Reading Adorno’s Reading of Eichendorff in the Context of 1957 Christian P. Weber, Florida State University, USA 10 Adorno and the Ethics of Camp Heidi Schlipphacke, University of Illinois at Chicago, USA Section 3: Adorno’s Constellations 11 Art and Animals in Adorno Camilla Flodin, Uppsala University, Sweden 12 The Art of Dehumanization: Adorno’s Animals Natalie Lozinski-Veach, University of West Georgia, USA 13 Social Labor and the Work of Art, According to Adorno Ulrich Plass, Wesleyan University, USA 14 Conspiracy Against Theory: Super-Agents, Conspirators, and the Educational Legacies of Positivism Kenneth J. Saltman, University of Illinois at Chicago, USA 15 Aspects of Adorno’s Critical Theory of Culture Stefan Müller-Doohm, University of Oldenburg, Germany Trans. Daniel Steuer Acknowledgments Index

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