Musical gentrification : popular music, distinction and social mobility
Author(s)
Bibliographic Information
Musical gentrification : popular music, distinction and social mobility
(ISME global perspectives in music education series)
Routledge, 2021
- : hbk
Available at 1 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Description and Table of Contents
Description
Musical Gentrification is an exploration of the role of popular music in processes of sociocultural inclusion and exclusion in a variety of contexts.
Twelve chapters by international scholars reveal how cultural objects of relatively lower status, in this case popular musics, are made objects of acquisition by subjects or institutions of higher social status, thereby playing an important role in social elevation, mobility and distinction.
Drawing on a wide range of case studies, empirical examples and ethnographic data, this is a valuable study for scholars and researchers of Music Education, Ethnomusicology, Cultural Studies and Cultural Sociology.
Table of Contents
Chapter 1: Musical Gentrification and Socio-Cultural Diversities: An Analytical Approach Towards Popular Music Expansion in Egalitarian Societies
Petter Dyndahl, Sidsel Karlsen and Ruth Wright
Chapter 2: Musical Gentrification: Strategy for Social Positioning in Late Modern Culture
Petter Dyndahl
Chapter 3: Exploring the Phenomenon of Musical Gentrification: Methods and Methodologies
Sidsel Karlsen, Mariko Hara, Stian Vestby, Petter Dyndahl, Siw Graabraek Nielsen and Odd Skarberg
Chapter 4: Musical Gentrification and the (Un)Democratisation of Culture: Symbolic Violence in Country Music Discourse
Stian Vestby
Chapter 5: Musical Gentrification, Parenting and Children's Media Music
Ingeborg Lunde Vestad and Petter Dyndahl
Chapter 6: Gentrification, Hegemony, Activism and Anarchy: How These Concepts May Inform the Field of Higher Popular Music Education
Ruth Wright
Chapter 7: Changing Rhythms, Ideas and Status in Jazz: The Case of the Norwegian Jazz Forum in the 1960s
Odd Skarberg and Sidsel Karlsen
Chapter 8: Musical Gentrification and 'Genderfication' in Higher Music Education
Siw Graabraek Nielsen
Chapter 9: Musical Agency Meets Musical Gentrification: Exploring the Workings of Hegemonic Power in (Popular) Music Academisation
Sidsel Karlsen
Chapter 10: Enclosure and Abjection in American School Music
Vincent C. Bates
Chapter 11: Musical Pathways: Connecting, Re-Connecting and Dis-Connecting
Mariko Hara
Afterword: Taste and Distinction After Bourdieu
Nick Prior
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