Harmony in Mendelssohn and Schumann

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Harmony in Mendelssohn and Schumann

David Damschroder

Cambridge University Press, 2019

  • : pbk

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Note

First published: 2018

Includes bibliographical references (p. 271-276) and index

Description and Table of Contents

Description

This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.

Table of Contents

  • Part I. Methodological Orientation: Harmonic Analysis through Listening: 1. Foundation diatonic processes
  • 2. Surges
  • 3. IV5-6 V
  • 4. I5-6 II
  • 5. Surging 6-Phase chords
  • 6. Surges with ninths
  • 7. Colorful variants of II
  • 8. III along the path from I to V
  • Part II. Masterpieces: 9. Mendelssohn: Octet in E Major (op. 20), Movement 1 in Response to Greg Vitercik and Benedict Taylor
  • 10. Mendelssohn: song without words in F Major (op. 85/1) in response to Allen Cadwallader
  • 11. Schumann: 'Warum?' from Phantasiestucke (op. 12) in Response to L. Poundie Burstein
  • 12. Mendelssohn: song without words in A Major (op. 53/1) in response to Yosef Goldenberg
  • 13. Schumann: three songs from Liederkreis (op. 39) in Response to Charles Burkhart and David Ferris
  • 14. Schumann: 'Im wunderschoenen Monat Mai' from Dichterliebe (op. 48, no. 1) in response to Deborah Stein
  • 15. Schumann: Sonata in A Minor for violin and piano (op. 105) in response to Peter H. Smith.

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