Fields of view : film, art and spectatorship

著者

• Rees, A. L.
• Payne, Simon (Video artist)

書誌事項

Fields of view : film, art and spectatorship

A.L. Rees ; edited by Simon Payne

BFI, 2020

• : pb

注記

Includes index

内容説明・目次

内容説明

Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film.

目次

Foreword: Harvesting Fields Acknowledgements Fields Film Machine Film as Optic and Idea Expanding Cinema Room Films Film Objects Projection Space Time Frames Realisms Asymptote Digital Dialectic Fields in Braque and Gehr Classic Film Theory and the Spectator Field and Gestalt Monet, Lumiere and Cinematic Time Displacement, Sculpture Bodies in Motion Intervals Methods of Montage Frames Frames and Windows Constructivism and Computers Geometry of Intervals Notes

「Nielsen BookData」 より

詳細情報

• NII書誌ID(NCID): BC02219608
• ISBN:
  • 9781838719920
• 出版国コード: uk
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: London
• ページ数/冊数: xiii, 223 p., [16] p. of plates
• 大きさ: 24 cm
• 分類:
  • DC23 : 791.43611
• 件名:
  • LCSH : Experimental films