Lusophone hip-hop : 'who we are' and 'where we are' : identity, urban culture and belonging

著者

書誌事項

Lusophone hip-hop : 'who we are' and 'where we are' : identity, urban culture and belonging

edited by Rosana Martins and Massimo Canevacci

Sean Kingston Pub., 2018

  • : [hardcover]

タイトル別名

Lusophone hip-hop : "who we are" and "where we are" : identity, urban culture and belonging

大学図書館所蔵 件 / 全1件

この図書・雑誌をさがす

注記

Includes bibliographical references and index

内容説明・目次

内容説明

This book brings multiple sites of lusophony together, and illuminates how mobile configurations of people, technologies and hip-hop creativities are best understood as compositions of ubiquitous identities, dispersed communities and syncretic networks. Significantly, the chapters highlight identity narratives that clash with the city, yet which play an important part in its reconstruction and resignification. Occupying public space, creative expressions of young people provide critiques of the social order, mainstream media and criminalization of fringe neighbourhoods. In this way, hip-hop has become a political instrument of an `I’ that is excluded and marginalized. Its growth has led to a global movement incorporating local forms such as traditional musical arrangements and native languages. Its messages educate youths about citizenship, addressing their reality of racial discrimination and oppression. At the same time, hip-hop continues to innovate at the street level, constantly rejecting and challenging a consumer culture that seeks to co-opt it. The pillars of hip-hop – rapping, DJing, break-dancing, graffiti, and now political organization – are considered across three continents, in a collection that seeks to provide more nuanced characterizations of contemporary relationships between lusophone countries allowing dialogue about inter/intra, colonial/racial contradictions and their impact on power structures. Lusophone Hip-hop offers fascinatingly diverse perspectives on rich source material little-known to readers more familiar with hip-hop in African American contexts.

目次

  • Portugal: Chapter 1 - Representation and the sense of belonging in São Paulo and Lisbon - Rosana Martins
  • Chapter 2 - Graffiti, visual culture and ethnicity: The black neighbourhood of Kova da Moura - Ricardo Campos
  • Chapter 3 - Spaces of representation: Identity, otherness and transformation in Portuguese hip-hop - Teresa Fradique
  • Chapter 4 - The sampling of Lisbon: Hip-hop and the lusophone imagination - Jorge de La Barre
  • Brazil: Chapter 5 - B-boys (Rio de Janeiro) and rappers (Lisbon) in search of recognition: A brief comparison - Otávio Raposo
  • Chapter 6 - PiXação: In praise of the strength and `useless’ beauties of Brazilian youth - Gustavo Coelho
  • Chapter 7 - `Manos e Minas’: The TV show - Claudia Garrocini
  • Chapter 8 - Urban quilombo: Maranhão’s hip-hop, periphery and Africaness - Ana Stela Cunha & Rosenverck Estrela Santos
  • Chapter 9 - `Os anos de chumbo’: Grupo Tupinãodá and the possibilities of street art for resistance - Holly Eva Ryan
  • Africa: Chapter 10 - Chronotope identification in Kriolu rap - Derek Pardue
  • Chapter 11 - Rap and the representation of public space in Praia City - Redy Wilson Lima
  • Chapter 12 - Who has the word? MC Azagaia’s intervention into past and politics in Mozambique - Anna Pöysä & Janne Rantala
  • Chapter 13 - Hip-hop in Angola: Social intervention rap - Gilson Lázaro & Osvaldo Silva
  • Chapter 14 - From the radios to the stage: Juvenile political participation and dissent through rap - Miguel de Barros
  • Conclusion - Performative metropolis: Self-representation, expanded codex, digital culture, trans-urban subject - Massimo Canevacci
  • Index

「Nielsen BookData」 より

詳細情報

ページトップへ