Dostoevsky as suicidologist : self-destruction and the creative process
著者
書誌事項
Dostoevsky as suicidologist : self-destruction and the creative process
（Crosscurrents: Russia's literature in context）
Lexington Books, c2020
- : cloth
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. 309-316) and indexes
内容説明・目次
内容説明
In Dostoevsky as Suicidologist, Amy D. Ronner illustrates how self-homicide in Fyodor Dostoevsky's fiction prefigures Emile Durkheim's etiology in Suicide as well as theories of other prominent suicidologists. This book not only fills a lacuna in Dostoevsky scholarship, but provides fresh readings of Dostoevsky's major works, including Notes from The House of the Dead, Crime and Punishment, The Idiot, Demons, and The Brothers Karamazov. Ronner provides an exegesis of how Dostoevsky's implicit awareness of fatalistic, altruistic, egoistic, and anomic modes of self-destruction helped shape not only his philosophy, but also his craft as a writer. In this study, Ronner contributes to the field of suicidology by anatomizing both self-destructive behavior and suicidal ideation while offering ways to think about prevention. But most expansively, Ronner tackles the formidable task of forging a ligature between artistic creation and the pluripresent social fact of self-annihilation.
目次
Acknowledgments
Chapter 1: Introduction: Suicide as a Social Fact
Chapter 2: Fatalistic Convulsions in Notes From the House of the Dead
Chapter 3: Egoistic Self-Deceminantion in Crime and Punishment and The Idiot
Chapter 4: Anomy in Demons and The Brothers Karamazov
Chapter 5: Conclusion: The Antonymous Creative Process
Bibliography
Index
About the Author
「Nielsen BookData」 より
