On antique painting
著者
書誌事項
On antique painting
Pennsylvania State University Press, c2013
- : pbk
- タイトル別名
-
Da pintura antiga
大学図書館所蔵 全1件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. [275]-278
Includes index
内容説明・目次
内容説明
Francisco de Hollanda completed Da pintura antigua in 1548, eight years after the young Portuguese humanist, painter, and architect had spent two years in Italy. Book I is the first Portuguese treatise on the theory and practice of painting. In contrast to Italian texts on artistic theory, which define painting as the imitation of nature, Hollanda’s treatise, influenced by Neoplatonism, develops a theory of the painter as an original creator guided by divine inspiration. Book II, “Dialogues in Rome,” is a record of three conversations with Michelangelo, Vittoria Colonna, and members of their circle and a fourth with Giulio Clovio. It is the most informative and intimate intellectual portrait of Michelangelo before the biographies by Vasari and Condivi.
目次
Introduction
Note on the Early Years of the Portuguese Empire
Alice Sedgwick Wohl
Francisco de Hollanda (1517–1584): The Fascination of Rome and the Times in Portugal
Joaquim Oliveira Caetano
Francisco de Hollanda and Art Theory, Humanism, and Neoplatonism in Italy
Charles Hope
On Antique Painting
Book I
Prologue
Chapter I: How God Was a Painter
Chapter II: What Painting Is
Chapter III: On the First Painters
Chapter IV: Which Was the Fatherland of Painting
Chapter V: When Painting Was Lost, and When It Was Rediscovered
Chapter VI: How the Holy Mother Church Preserves Painting
Chapter VII: What the Painter Must Be
Chapter VIII: What Sciences Are of Use to the Painter
Chapter IX: By What Means the Painter Must Learn
Chapter X: The Second Thing from Which He Must Learn
Chapter XI: The Difference of Antiquity
Chapter XII: Why Antique Painting Is Celebrated and What It Is
Chapter XIII: How the Precept of Antique Painting Spread Through the Whole World
Chapter XIV: Concerning Some Precepts of Antiquity, and First, Concerning the Invention
Chapter XV: Concerning the Idea, What It Is in Painting
Chapter XVI: In What the Power of Painting Consists
Chapter XVII: Of the Proportion of the Body
Chapter XVIII: On Anatomy
Chapter XIX: On Physiognomy
Chapter XX: Precept for Antique Figures Standing Still
Chapter XXI: On Antique Figures That Move or Walk or Run or Fight
Chapter XXII: On Antique Figures That Are Seated and [Those That Are] Recumbent
Chapter XXIII: On Antique Equestrian Statues
Chapter XXIV: On the Ornament and Costume of the Ancients in Their Images
Chapter XXV: On Painting Animals
Chapter XXVI: On the Composition of Antique Historias
Chapter XXVII: On Painting Sacred Images, and First, Images of Our Savior
Chapter XXVIII: On Painting Images of the Invisible
Chapter XXIX: On the Divine Image
Chapter XXX: On Other Images of the Invisible, Such as the Virtues
Chapter XXXI: On Invisible Forms Such as the Vices
Chapter XXXII: On Painting Purgatory and Hell
Chapter XXXIII: On Painting Eternity and Glory, and the World
Chapter XXXIV: On Light or Brightness in Painting
Chapter XXXV: On Shade and Darkness in Painting
Chapter XXXVI: On Black and White
Chapter XXXVII: On the Colors
Chapter XXXVIII: On Decorum or Decency
Chapter XXXIX: On Perspective
Chapter XL: On the Point at Which the Painting Converges
Chapter XLI: On Foreshortening
Chapter XLII: On Statuary Painting or Sculpture
Chapter XLIII, Part 1: On Painting as Architect
Chapter XLIII, Part 2: On Painting as Architect
Chapter XLIV, Part 1: On All the Types and Modes of Painting
Chapter XLIV, Part 2: On All the Types and Modes of Painting
Table of Some Rules for Painting
Book II
Prologue
First Dialogue
Second Dialogue
Third Dialogue
Fourth Dialogue
Table of the Famous Modern Painters Whom They Call Eagles
Proverbs About Painting
Remembrance
Appendix A: Chronology of Popes and Rulers
Appendix B: Works by Francisco de Hollanda
Glossary
Bibliography
Subject Index
Index of Names and Places
「Nielsen BookData」 より