The beast between : deer in Maya art and culture
Author(s)
Bibliographic Information
The beast between : deer in Maya art and culture
(The Linda Schele series in Maya and pre-Columbian studies)
University of Texas Press, 2019
- : cloth
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [219]-263) and index
Description and Table of Contents
Description
The first book to focus on the multifaceted images of deer and hunting in ancient Maya art, from the award-winning author of To Be Like Gods: Dance in Ancient Maya Civilization.
Winner, CHOICE Outstanding Academic Title, 2019
The white-tailed deer had a prominent status in Maya civilization: it was the most important wild-animal food source at many inland Maya sites and also functioned as a major ceremonial symbol. Offering an in-depth semantic analysis of this imagery, The Beast Between considers iconography, hieroglyphic texts, mythological discourses, and ritual narratives to translate the significance and meaning of the vibrant metaphors expressed in a variety of artifacts depicting deer and hunting.
Charting the importance of deer as a key component of the Maya diet, especially for elites, and analyzing the coupling of deer and maize in the Maya worldview, The Beast Between reveals a close and long-term interdependence between the Maya and these animals. Not only are deer depicted naturalistically in hunting and ritual scenes, but also they are assigned human attributes. This rich imagery reflects the many ways in which deer hunting was linked to status, sexuality, and war as part of a deeper process to ensure the regeneration of both agriculture and ancestry. Drawing on methodologies of art history, archaeology, and ethnology, this illuminating work is poised to become a key resource for multiple fields.
Table of Contents
Acknowledgments
Introduction
Chapter 1. Deer Life: The Maya Ethnobiology of Deer
Chapter 2. Bones to Picks: The Classic Maya Use and Depiction of Durable Deer Remains
Chapter 3. Big Bucks: Deer and Social Status
Chapter 4. Wearing the Horns: Deer, Sexuality, and Fertility in "Dying God" Scenes
Chapter 5. Locking Horns: Deer Hunting, Warfare, the Ballgame, and Male Rites of Passage
Chapter 6. Hart's Devotion: The Siip in Classic and Postclassic Maya Society
Chapter 7. A Sinking Hart: The Solar Symbolism of Deer in Maya Art
Chapter 8. Deer Departed: Cervid Spirits of Death and Disease
Epilogue. Out of the Woods: Deer and Borders
Notes
Bibliography
Index
by "Nielsen BookData"